Recent Stories
Per the Met’s press office, Erin Wall will make her house debut Met debut as Donna Anna in Don Giovanni and will also sing the remaining performances of the season through the 24th. Wall replaces Barbara Frittoli, who will sing Donna Elvira instead, replacing Soile Isokoski, “who has withdrawn from the four performances due to…
Emily Magee plays Tosca (in a Robert Carsen production in Zurich); Zarah Leander lives for art.
This vastly superior caption replaces La Cieca’s original, “Rebecca Glasscock back on the pipe?” [Danielle de Niese in Acis e and Galatea at The Royal Opera, photo by Bill Cooper.]
Yes, La Cieca realizes it was all hashed out a week ago here in the blogosphere, but Daniel J. Wakin of the New York Times has finally got around to transcribing the New York City Opera’s press release about its new season. As you all know, the season opener will be Esther, starring Lauren Flanigan.…
As Peg, the boozy, washed-up screenwriter (Kathleen Turner) in Charles Busch‘s play The Third Story explains, I told you the third story is often the best. The first is the genesis of an idea, but usually completely off the track. The second is when you go overboard with flights of imagination. The third story is…
La Cieca is delighted to announce that you, cher public, have broken yet another record! During the month of March you viewed parterre.com a total of 352,139 times. That’s the highest monthly number of pageviews ever for this site. Just to give you some sense of proportion, that number is more than the population of…
Which opera company may find itself the target of criticism since they are requiring singers to fly to New York to audition for their new stage “director” — a big name who has never directed anything more complicated than a runway show?
The Met’s season premiere of L’elisir d’amore, starring Angela Gheorghiu and Massimo Giordano, is tonight’s topic of discussion. Listen at 8:00 pm on Sirius or RealNetworks and chat, chat, chat!
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
In the bodice-ripping tradition of HBOShowtime’s The Tudors, DG presents I Capuleti e i Montecchi. Or does La Cieca just think everyone looks like Jonathan Rhys Meyers?
Latest to join the ranks of classical music bloggers: intrepid Anne Midgette, whose Classical Beat offically launched today. Coverage includes la Midgette’s recent head-butt with Norman Lebrecht on the subject of the Wizard of Bayreuth.
At last we know the identity of the eponymous heroine of Rufus Wainwright‘s maiden effort as opera composer. The aging Prima Donna who is strugging “to regain her status as a top-flight soprano on the world stages” s’appelle Régine Saint Laurent. If ever a name screamed, “cover girl, put the bass in your walk,” surely…
Since we in New York are not going to hear Rolando Villazon until (at the earliest) April 8, La Cieca thought it would be interesting to share a recent document of his singing. Here’s a scene from Act 3 of Werther, as sung in Paris earlier this month. [kml_flashembed movie=”http://www.youtube.com/v/1EpdcOzw8o4″ width=”425″ height=”350″ wmode=”transparent” /] (Thanks,…
Mrs. John Claggart saw through the balloonery of our most recent Regie quiz, correctly identifying not only the opera Werther but each scene depicted. So, cher public, let’s see how you do with this week’s conundrum.
Many of you (well, a few of you) have expressed an interest in La Cieca’s working process as a journalist. As such, your doyenne thought she would share with you dear people some rare documentary footage of La Cieca’s early days reporting and writing opera gossip. Or, in other words: this, cher public, is how…
Werther with Rolando Villazon and Susan Graham continues on France Musique. (Broadcast began at 3:00 pm EDT.) Concert donné le 28 février 2009 à l’Opéra Bastille à Paris, en simultané avec l’Union européenne de radios. Rolando Villazon : Werther, poète; Ludovic Tézier : Albert, jeune homme; Alain Vernhes : Le Magistrat; Christian Jean : Schmidt,…
For the first time in, well, quite a while really, La Cieca reminds the cher public that your donations help support the various goings-on here at parterre.com. Won’t you take a moment to click on the PayPal link below? We now return you to our unscheduled programming.
Talk of the Town
A favorite Verdi performance from Ivy Lin
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
This is one of those rare performances that makes you believe that everything Verdi was greater Way Back When.
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
And people say that in olden days singers used more chest! Ha, says La Cieca. Ha!
Sempiternal Magda Olivero celebrated her 99th birthday earlier this week.
La Cieca never knows quite how far to go in repeating what she “is told,” but since some of it seems to be leaking out anyway, well, she’ll try to be tactful. Apparently sometimes opera companies choose to use terminology like “laryngitis” and “knee injury” in order to avoid having to say “exhibited bizarre behavior…
La Cieca really, really doesn’t like to say this, but the truth seems to be staring us in the face, so here goes. We have seen the last of Rolando Villazón at the Met. Even though he’s announced as having canceled only the first two performances of Elisir, it’s pretty clear that he’s just not…
UPDATED YET ONCE MORE (March 26 at 5:00 pm): Per the Met’s press office, “Massimo Giordano will sing the role of Nemorino in L’Elisir d’Amore on March 31 and April 4 matinee, replacing Rolando Villazón, who is suffering from laryngitis.” UPDATED AGAIN (March 26 at 3:55 pm): Iréne Theorin will sing the first two matinees…
“Salvatore, viens, j’ai trouvé une étoile!” [kml_flashembed movie=”http://www.youtube.com/v/5xXf8mh81dg” width=”425″ height=”350″ wmode=”transparent” /] Wenarto, watch your back!
La Cieca realizes she hasn’t devised a contest for you competitive members of the cher public in, oh, ages. So she’s going to direct you to the Omniscient Mussel blog, where the game is to offer an opera plot synopsis via Twitter.
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