Cher public, La Cieca would like to call your attention to the latest innovation by our webmeister Nick Scholl: threaded comments. You can now reply to a specific comment (instead of the entire thread) and thus we can avoid having to start every reply with, “squirrel, you have got to be kidding me!” (Though doubtless […]
Joyce Di Donato‘s latest release is a CD entirely devoted to music Rossini composed for his first wife, Isabella Colbran, one of the most celebrated divas of the early 19th century.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
According to the always reliable Zachary Woolfe, among the beans spilled at the NYCO “Koch” Gala last night was the strong suggestion (from no less than Rufus Wainwright himself) that a production of Prima Donna is planned for an upcoming George Steel-planned season. [New York Observer]
“…this stage still has a tendency, it seems, to swallow some of the bloom and resonance of voices…. For both works, the orchestra came through just fine. Less so the voice, though the sound was honest and clear…. the amplification did not make these singers much more audible than those who sang the old-fashioned way…. […]
Among the “auditions” that have come flooding in from the cher public are reviews of three very different productions of Don Giovanni. Your doyenne has taken the liberty of combining the three critiques into a single posting, but she urges you to remember, remember well the names of the authors of this troika of treatises.
It is always a relief when one comes across a wonderful creation, a new existence, a rediscovery. One feels regret for not knowing it before, but alas, the joy overflows. The fear of unknown, the fear of leaving the comfort zone always ends up with enlightenment and embracing the new known. In this case, is […]
“I love the way highlighters can minimize your worst features while enhancing others. Apply just above the eyes for a wide-awake look and use to contour around the cheeks. A makeup artist’s favorite is Yves Saint Laurent Touche Eclat concealer. Makeup artist Jo Strettel swears by this in Elle magazine because it’s easy to use: […]
La Cieca invites you to enjoy a new blog from occasional member of the cher public (or member of the occasionally cher public) Crewmantle: COMMANDOpera.
The joy on my face after opening the plain manila envelope that contained the ArtHaus Musik DVD of Walter Felsenstein‘s 1975-6 Die Hochzeit des Figaro is hard to describe. I wanted to love this DVD with all my heart, as I have with the three other Nozze DVDs I own. I did, and then some. […]
In the past ten years there has been a renaissance of the countertenor, perhaps from a renewed fascination with period pieces performed in authentic period style. While no one is thinking of lopping off body parts just yet (although with some of these Regie productions, who knows?), many major opera houses now engage David Daniels, […]
Our publisher JJ will grace the airwaves of WNYC this afternoon at 2:00 PM for an appearance on Soundcheck. The topic is that one on everyone’s mind right now, the renascent New York City Opera.
In the year and half that New York City Opera has been absent from the musical milieu of our metropolis, Tony Tommasini has been sadly deprived of one of his favorite topics of conversation.
I have to be honest, when I first got this CD from Cieca cara I thought, “What the fuck did I get myself into?” My assignment was to review the new Naxos recording of Leonard Bernstein‘s Mass. I did this show 10 years ago in school and it was not a happy experience. So, at […]
La Cieca is happy to announce that parterre.com is now accepting advertising via blogads.
The world needs a lot of things: health care, happiness, homo marriages, peace, prosperity and butterflies. What it doesn’t need is a mediocre “budget” recording of a contemporary opera already satisfactorily recorded with the original cast.
… but these boys’ (and girls’) hearts are in the right place as they join with Wenarto to celebrate the apparent victory of Referendum 71 in Washington.
I need to state right off the bat that I have never been one to worship at the altar of Maria Callas. While I can acknowledge her greatness, there are many other singers whom I prefer in the Bel Canto repertoire. So I was skeptical when I began watching Callas Assoluta from ArtHaus Musik.
“Renée herself seemed as if she’d rather be somewhere else.
This production of Der Rosenkavalier (directed by Stefan Herheim for Staatstheater Stuttgart) looks fascinating:
Why does La Cieca suspect that Angela Gheorghiu has, for the moment anyway, forgotten the denouement of Bizet’s opera?
Mean, moody, magnificent Mariusz Kwiecien gets the Regie treatment (including a buzzcut!) for a new Don Giovanni in Munich.
Which much-recorded singer has developed her use of expressive rubato to the point that she actually “stole” a professor from a prestigious British academy by offering him a veritable fortune to resign his position and devote his time to coaching her most recent CD?
Is there no end to the talents of George Steel? Boy soprano, Bernstein protégé, conductor, impresario, endive fancier — and now matchmaker!
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