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My tolerance for 17th century opera is generally low, but even I can appreciate the value in an underappreciated composer like Francesco Cavalli.
La Cieca (not pictured) invites you, her group mind, to help her sort out the following conundrum.
When I saw this CD was coming out my first thought was, “Why?” We already have brilliant recordings of “Die Schöne Müllerin” from artists like Fritz Wunderlich, Dietrich Fischer-Dieskau, et. al.
Happiest 100th birthday greetings to the legendary Magda Olivero! In celebration, let’s enjoy a recital from December 13, 1977 in Dallas, Texas, with Ivan Davis, piano.
What ever would we do without YouTube?
2 Headstrong Singers + 1 Conductor Unfamiliar with the Score = 1 Lost Cause?
“The new avant-garde head of Madrid’s opera house, Gerard Mortier, Wednesday promised an ‘innovative’ first season in charge.” [AFP]
La Cieca has just heard that mezzo-soprano Blanche Thebom died this morning at the age of 91. Her 22 year career at the Met included over 350 performances.
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
A couple of glimpses of the last Ring cycle Wolfgang Wagner directed before turning over the Regie reins to Patrice Chéreau.
Early reports indicate that Rolando Villazón was back in form last night for his return to the stage in L’elisir d’amore at the Vienna Stage Opera.
According to first reports, Rolando Villazón enjoyed a much-applauded success earlier this evening at the Vienna State Opera as Nemorino, his first staged opera performance in almost a year.
Since James Levine‘s back is flaring up again and he has canceled BSO performances through April 5, how about a group-mind experiment in predicting what the rest of the maestro’s Met season will be like?
The legendary Kunstdiva was born March 22, 1912.
The grandson of Richard Wagner, chief of the Bayreuth Festival from 1951-2008 and director of a dozen productions, died Sunday. He was 90. [Monsters and Critics]
Oh, phooey! Barely 12 minutes separated La Cieca’s posting of the most recent Regie quiz and the correct guess by bassoprofundo. By the way, your doyenne’s current crush Stefan Herheim directed this production for Den Norske Opera. And now for a puzzler La Cieca hopes will be a bit more challenging!
With the production of Siegfried, the “Ring for the 21st Century” staged by La Fura dels Baus finally hits its stride.
Talk of the Town
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
Today’s Met broadcast is From the House of the Dead. Our habitual chat begins at 12:30 pm, and the details are after the jump.
I have heard Gerald Finley live and enjoyed his singing immensely. He possesses a strong, resonant, lyric baritone, even of scale and beautiful of timbre. His biggest successes to date have been creating the roles of Oppenheimer in John Adams‘ Dr. Atomic and Harry in Mark-Anthony Turnage‘s The Silver Tassie. He includes selections from both…
Today’s gossip riddle: what does the Met’s upcoming Mary Zimmerman production of Rossini’s Armida have in common with the above-referenced classic of cheesy 1950s science fiction?
Angela Gheorghiu will sing Mimì at the Met’s last performance of Boheme this season tomorrow afternoon, replacing Anna Netrebko who is ill. Angie’s in town (already?) in preparation for her performances in La traviata beginning March 29.
La Cieca has obtained a snippet of the Met’s upcoming HD simulcast of Thomas’ Hamlet. Do not reveal to anyone the source of this clip!
I have to confess that I overheard that line during the intermission of the Met’s new production of Amboise Thomas’s seldom-performed Hamlet based on Shakespeare’s oft-performed play. I couldn’t have said it better myself.
The cher public are invited to suggest captions for this less than flattering photo by Sara Krulwich, which appeared originally in the New York Times.
“After all that, it would be gratifying to declare Petersen’s debut a ‘star is born’ moment. But… she was pretty much a nonstarter, her Ophélie hovering on the cusp of inaudibility in midrange and shrill on the highest notes.” [NYP]
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