Turn Lepage
La Cieca has managed to obtain a few minutes of video, pirated at great personal risk, from a dress rehearsal of the Met’s new production of Das Rheingold.
La Cieca has managed to obtain a few minutes of video, pirated at great personal risk, from a dress rehearsal of the Met’s new production of Das Rheingold.
Everybody loves an orgy. But, in the words of Betsy Ann Bobolink (pictured), “a really good orgy takes preparation, and I don’t mean Preparation H.” Our Betsy continues (discussing, I mean) after the jump.
La Cieca hears that Susan Neves has joined the cast of Washington National Opera’s Un ballo in maschera to sing Amelia in two performances, and Tamara Wilson will sing two additional performances. The American sopranos take over dates held by Irène Theorin.
It’s easy to see why the Met has chosen to include this 1982 performance of Der Rosenkavalier in their James Levine: Celebrating 40 Years at the Met – DVD Box Set: the marathon evening is a triumph for Levine from the frenzied blend of waltz melodies in the overture to the final, birdsong-like notes of […]
A quintessential theater man as well as a brilliant conductor, James Levine rightfully chose not only the five-act version of Don Carlo for this 1980 performance but begins the opera as Verdi had originally conceived it. The Woodcutters chorus and the episode in which Elisabetta gives her necklace to a destitute woman are pages essential to […]
In a week that includes the news of the release of nearly 100 “lost” Judy Garland performances and the announcement that Bernadette Peters will star as Sally in a lavish revival of Follies, even Betsy Ann Bobolink is hard-pressed to thrill with choices for Saturday afternoon listening. As she so often says, “Maybe something really […]
Congratulations to tenor Stephen Costello, who today was officially awarded the ceremonial title of Villazóneinspringer at the Vienna State Opera. No, actually, he’s jumping into two performances of La boheme, replacing Rolando Villazón, on September 6 and 9.
La Cieca hears that Renée Fleming will yet again grace the stage of the Metropolitan with a new role in 2015. The production will be staged by Susan Stroman.
“Parade” is defined simply by the Merriam-Webster Dictionary as “a pompous show.” Fitting enough, then, that the triple bill titled Parade: An Evening of French Music Theatre recorded at the Met on March 16, 2002 consists of Erik Satie’s ballet Parade, Francis Poulenc’s Les Mamelles de Tirésias, and Maurice Ravel’s L’Enfant et les Sortilèges. These […]
James Levine: Celebrating 40 Years at the Met includes not only unreleased video performances on DVD but also live radio broadcasts on CD. This performance is one of the latter, originally heard April 19, 2003. The Rake’s Progress has one of the greatest operatic pedigrees of all time. It was inspired by a series of […]
La Cieca is told that at least three productions at the Met this year will be shorn of an accustomed intermission: Simon Boccanegra, The Queen of Spades and La traviata will all be done in “two-act” versions, each with but a single interval.
Of course opera fans all owe Agnes Varis a lot, what with the Met rush tickets and all that, plus La Cieca, being a lady of a certain age herself, should be the last one to talk. But she can’t help hearing this quote from Varis in the foghorn rasp of Miss Blankenship: “The opera’s […]
Three-time Met régisseuse Mary Zimmerman is taking it to the Windy City, helming a “newly adapted” Candide for Chicago’s Goodman Theatre. “Danny Pelzig choreographs the cataclysmic events that ensue.” [broadwayworld.com]
The first opera to be performed in the 21st century at the Metropolitan Opera, thankfully after the lack of total destruction from the Y2K bug, was the recently premiered The Great Gatsby by John Harbison. Commissioned to mark James Levine’s 25th anniversary with the company, the recording of this New Year’s Day broadcast is now […]
These days, when James Levine is mostly in the news due to his back ailments, it is somewhat shocking to see this performance of Le nozze di Figaro begin with the Maestro fairly dancing around on the podium as he conducts a sparkling rendition of the overture. It starts off a classic performance of Mozart’s […]
Congratuations to David H. Koch for a lavish profile in The New Yorker celebrating his social success with Kennedys and Trumps and especially his munificence with artistic and cultural organizations including the New York City Opera! And further kudos to The New Yorker for noting high up in the article that the publicity-shy philanthropist is […]
This is a performance I never thought I’d see. This 2003 Met performance of Ariadne auf Naxos was filmed, but got tied up in some kind of (legal?) dispute and never televised, and I had long written it off as being tucked away in a vault, doomed to be “the lost telecast.” So it is […]
A DVD of a 2001 Met performance of Berg’s Wozzeck is included in James Levine: Celebrating 40 Years at the Met – DVD Box Set, and it’s easy to see why this performance was chosen. Levine and the Metropolitan Opera Orchestra he has done so much to build and improve are the real stars of […]
This just in from the Met press office: “Andrea Bocelli will make his solo recital debut at the Metropolitan Opera House on Sunday, February 13, 2011 at 5:00 p.m. The performance will feature the celebrated Italian tenor singing a program of arias by Handel, and lieder and art songs by Beethoven, Wagner, Liszt, Richard Strauss, […]
To get straight to the point, the main attraction of this DVD is Renata Scotto. The Italian soprano, the first to perform all three heroines of Il trittico at the Met, is simply superb. She has élan in the moments of tension and a powerful, in-depth delivery. There is not a single word in the […]
Richard Strauss’s brilliantly disturbing Elektra was first performed at the Dresden State Opera in 1909, and arrived in America in 1910 at the Manhattan Opera House. A second American premiere, this time in the original German, was in Philadelphia in 1931 with – and this will kill you – Nelson Eddy as Orestes. Along with […]
The end of the summer has been a quiet time for new opera production, but La Cieca realized she’d left you all having on the most recent Regie quiz. Or not hanging so much, actually, because calatrava guessed it: Il barbiere di Siviglia, a production by Claus Guth. An all-new, insect-free quiz follow the jump.
The German filmmaker and theater and opera director died earlier today. Among his works was a controversial production of Parsifal at the Bayreuth Festival beginning in 2004. [AP]
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