Recent Stories
“Nobody dies in Partenope, Handel’s 1730 opera that ends in contentment and reconciliation. For the audience at the New York City Opera’s production Saturday night, the finale also hinted at hope for the troubled company’s future.” [NYP]
You may think La Cieca is full of beans when she tells you that a maestro private-jetted in to New York today for a rehearsal and then jetted back again, with no plan to return to our metropolis until the day of the prima.
“…in Parsifal, instead of digging out the chapters from Metaphysics for Dummies (which is what basically everyone does, except Herheim!), [Calixto Bieito] made it a perfectly plausible story, close to us, to our lifestyles…
Saturday evening Kiri te Kanawa sang the first of her final two Marschallins at the Cologne Opera House. The reason for this rather unexpected return to one of her signature parts seems to have been a sentimental one:
UPDATE:The Met press office this afternoon [!] has broken the news:
[San Francisco Chronicle]: I’m certainly not the first person to observe how convincing you are in male roles. Would I be correct in thinking that the line outside your dressing room after these performances is rather, um, interesting?
Either the directors are running out of ideas, or else the cher public is just getting too smart. Once again, the first guess was the right guess: the opera in last week’s Regie quiz was indeed Un ballo in maschera. (And you, SF Guy, need to get to bed earlier!) After the jump, La Cieca’s…
La Cieca (pictured) is delighted to host an afternoon Aïda chat for you, the cher public — all of whom she imagines as having something of the grave dignity and multiple chins of dear Sir Cedric Hardwicke.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Good Friday means Parsifal.
La Cieca recalls the words of her old, old, old friend Eve Harrington: “In good conscience, I must give credit where credit is due.” And far be it for La Cieca to begrudge her cher public something so freely given by Little Miss Evil.
“Volpe, who is 69, wants to set the record straight, now that Peter Gelb is being held up as the architect of a new, dynamic Met: with enough money, he too could have been creative. ‘Peter spends money in ways I never could,’ Volpe told me. ‘If I had Mercedes Bass and I could have…
“A report was posted soon after on Parterre.com, an opera blog, that Mr. Slatkin had been removed from further performances.” [NYT]
La Cieca has just heard that Leonard Slatkin has been removed from further performances of Traviata at the Met.
On this beautiful spring morning, La Cieca is delighted to announce to her cher public that she has uncovered yet another exclusive scoop. For you listening enjoyment on this last day of March, we present the next single to drop from the most talked-about operatic disc since Karita Mattila‘s!
Patricia Racette will sing the title role in Puccini’s Tosca on April 14, 17, 20, and 24 matinee, replacing Karita Mattila, “who is ill” — this just in from the Met’s press office.
This production, though obvious Regie fodder, looks far too interesting to wait for our regular Sunday night quiz! Video after the jump.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Tildy Diva
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
The Talk of the Town
A favorite Verdi performance from Arrigo
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The Talk of the Town
A favorite Verdi performance from Peter Russell
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The Talk of the Town
A favorite Verdi performance from TC
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The Talk of the Town
A favorite Verdi performance from Anna Netrebko
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
The Talk of the Town
A favorite Verdi performance from Armerjacquino
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
“Angela Gheorghiu‘s triumph in La Traviata Monday night at the Met was a searing reminder of why we go to opera in the first place.” [NY Post] Photo: Marty Sohl/Metropolitan Opera
La Cieca breathlessly offers you a sneak preview of one of this spring’s most eagerly awaited CDs.
Recently denasaled bass-baritone Paulo Szot returns to South Pacific at the Vivian Beaumont tomorrow. [Broadwayworld.com]
According to Anne Midgette, baritone Carlos Alvarez has withdrawn from Washington National Opera’s production of Hamlet, to be replaced by Michael Chioldi and Liam Bonner, with their individual dates TBA. [The Classical Beat]
“Diva! The very word evokes tantrums, unreasonable demands — and the wrath of Aretha Franklin denied her Snickers bar.” Our Own JJ (not pictured) discusses divadom with Angela Gheorghiu in the New York Post.
Boy, this review practically writes itself. I’ve heard Jonas Kaufmann’s Alfredo live and was duly impressed, so I was thrilled to have the opportunity to review this recording. All I can say about Jonas Kaufmann: Mozart, Schubert, Beethoven & Wagner (Decca 4781463), to be released April 6, 2010, is that it went straight to both…
Well done, Lindoro Almaviva, for not only guessing the opera but pinpointing the correct scenes and characters in Idomeneo! The production is by Ivo van Hove for La Monnaie.) And now for something completely less minimal.
You know La Cieca’s two favorite things in the world are French grand opera and ham, so how could she miss the chance to host a chat on so rare an occasion as today’s Met broadcast of Hamlet? The chat begins at 1:00 pm, and the details are after the jump.
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