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Faithful and sharp-eared member of the cher public reedroom notes, “…an observation about the Levine 40th Wozzeck CD (Anja Silja/Jose van Dam)—the second CD (acts 2 and 3) has to be a different performance, different cast and different year. It is undoubtedly Hildegard Behrens on the 2nd CD. I don’t know who the baritone is […]
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
A certain person soon to return from exile has a tale to tell: “So, the nameless Wanderer sat down and posed some questions to the groveling Mime. ‘You have heard and believed the accepted wisdom. Are you willing to put your ears where your mouth is?’”
The fact: the rainbow bridge worked tonight in Rheingold at the Met, and the effect was “spectacular.” (All right, that last part was an opinion. But, moving on.) The rumor: “everyone” at the Met knew “well in advance” that the rainbow bridge would not be attempted at Monday night’s opening performance.
Is it really true—the rumor La Cieca just now invented out of whole cloth—that René Pape will play Boris Godunov as an eccentric Chanel couturier? Cher public, you’ll have the chance to find out even before opening night of the Met’s new production of the Mussorgsky epic, since the company is making available making 2,000 […]
“Returning from last season, mezzo Kate Lindsey was again excellent as Hoffmann’s devoted but cynical muse, Necklace.” [Canadian Press]
Roberto Alagna dips his toe into the avant-garde, participating in Calixto Bieito‘s controversial production of Carmen at Teatro del Liceo de Barcelona. [El País]
“You see, I don’t play roles. I find color for every role inside of me.” The soprano Marina Poplavskaya likes to talk about how she sees music as colors. She is also given to morbidly poetic formulations like “Let the harmony penetrate you like a silent knife through your heart.” [New York Observer]
“Fricka, queen of the gods, modeled one of Mamie Eisenhower’s old cocktail dresses; trickster god Loge rocked a Gary Glitter jumpsuit, and the thieving dwarf Alberich sported MC Hammer pants.” Our Own JJ breaks it down. [New York Post]
Great expectations awaited the Met Opera’s new production of Das Rheingold, staged by the ambitious Canadian director Robert Lepage, and rightly so. With a 45-ton set carrying a $16 million price tag, a world-renowned cast, and maestro James Levine celebrating his 40th anniversary on the podium, who wouldn’t be on the edge of his seat as […]
Crossing the Plaza and seeing two thousand chairs gleaming in the gloaming with rain slick and thoughts of the evening that might have been for many. Past the ticket takers and the buzz of voices, the gawkers lined up on the stairs to see the celebs, I wend my way through and up and up. […]
Placido Domingo will not renew his Washington National Opera contract when it expires in June 2011. Anne Midgette has the story! [Washington Post]
Our Own JJ is dashing about like a mad crazed thing today. At 4:00 this afternoon, he’s joining Naomi Lewin at WQXR to discuss the Met’s impending season (you can listen here), then dashing over to Lincoln Center to cover the opening night Rheingold for the New York Post. In your doyenne’s understandable absence, hosting […]
The entire new CD “The Italian Tenor” (featuring Vittorio Grigolo) may be heard here. (If it tickles your fancy, you may want to purchase a copy as well.)
According to Mary Garden’s autobiography, Claude Debussy first encountered the Scottish-born diva at the Opéra Comique. After rehearsing her at the piano in a few scenes from his newly completed opera, Debussy said to Garden: “To think that you had to come from the cold far North to create my Mélisande.” He then turned to […]
Chandos’ Opera In English series continues with a new two-disc set of Strauss’ much-admired Ariadne on Naxos, with the Hofmannsthal libretto translated by Christopher Cowell. Sir Richard Armstrong conducts the Scottish Chamber Orchestra and a starry if uneven cast led by Christine Brewer in the title role. This reviewer has never fully warmed to the […]
La Cieca is delighted to announce the latest addition to the parterre collection at La Cieca’s Boutique: the Bubble Graph Tee. Wear your diva quantification with pride in 100% cotton, and as you walk away, they’ll know you’re a fan of parterre box. (Which is probably the best time to let that sort of information […]
“Perhaps we’ve seen too many commercials with toffs in penguin suits to accept the fact that operagoers are, in fact, a motley middle-class lot. And the Wagner audience is the motliest of all — emeritus professors sit side by side with Ring-loving schoolteachers, fanatic record collectors, neophyte opera mavens and that woman wearing a Valkyrie […]
The Met’s 1979 telecast of Mahagonny exposed one of the lesser-known factors contributing to the demise of disco: the global supply of eye shadow, rouge and lip gloss was exhausted for the next decade by a cast featuring Klara Barlow, Louise Wohlafka, Nedda Casei, Gwynn Cornell, Joann Grillo and Isola Jones—and stilettos, garter belts and […]
Tamara Mumford (Flosshilde in Das Rheingold) explains the concept of the Met’s new production of the Ring.
Country wailer Patsy Cline and ex-farmgirl Birgit Nilsson.
“Mirror, mirror on the wall, who are the greatest divas (Classic and Contemporary) of them all?” And the mirror replied, “I’ll tell you right after the jump!”
Which American intendant (who’s straight, by the way) is about to change his anthem from one Judy Garland encore to another? And, speaking of “Over the Rainbow,” which final high-tech special effect of which very expensive new production reportedly failed to work at the (closed) dress rehearsal?
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