Recent Stories
Our Own JJ emerges from estivation to look forward, Erda-like, toward “the” event of the fall season, plus six more must-sees.
Our Own JJ will have a news item or two tomorrow, but until then, a couple of YouTube clips follow: a remake of a classic and a reimagining of a classic. La Cieca is confident the cher public (pictured) will have opinions.
Two minds with but a single frock: Marina Poplavskaya in the Met’s new Traviata (due December 31) and Emma Watson in the November 19 release Harry Potter and the Deathly Hallows.
“As Ernesto, Barry Banks struggled against an allergic reaction and a humiliatingly camp pink get-up…” [The Telegraph]
La Cieca invites the cher public to act as blue-ribbon panel in selecting the singers to be included in the “Greatest Diva” study. Voting after the jump.
In a whole month of guessing at our most recent Regie quiz, only Melot’s Younger Brother and PirateJenny were able to narrow in on what is after all a very fringey part of the opera repertoire: Graun’s Montezuma, with a libretto by Frederick the Great. (The work was directed for the Edinburgh International Festival by…
When Hans Von Bülow joked that Rienzi was Meyerbeer’s best opera, he was not very far off the mark. In fact, Rienzi, der Letze der Tribunen, Wagner’s third opera, has all the traits of a typical “grand opéra”: it is divided in five acts, features a historical character or situation, makes large use of the…
At the request of a member of the cher public, La Cieca has updated the Little Shop of Arias store here at parterre. Available for preorder from amazon.com are such goodies as a new DVD of I puritani starring Nino Machaidze and Juan Diego Flórez.
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
American soprano Ailyn Perez made her Royal Opera debut last night on the company’s tour in Japan, singing two-thirds of the role of Violetta when the scheduled soprano, Ermonela Jaho, canceled after a rocky first act. (Jaho herself was a late substitute for the ever more elusive Angela Gheorghiu.) A witness to the performance says,…
After years (or was it months) wandering der Irrnis und der Leiden Pfade, La Cieca has returned to the broadcast booth for another episode of Unnatural Acts of Opera.
Readers of parterre.com are, La Cieca calculates, about six weeks ahead of the curve, so your doyenne figures you are ready to hear what will likely be a major scoop in the New York Times a few days prior to Halloween. It’s about the technical rehearsals for the Met’s season opener Das Rheingold, and what is…
Betsy’s recovered (if you can call it that) from last weekend’s marathon, and apparently game for more. If you’re feeling likewise, the meeting is at the usual location.
UPDATE: The Royal Opera has apologized to Intermezzo!
La Cieca was delighted, amused and infuriated (three of her favorite emotions) when she read yet another wonderful piece over at The Awl yesterday, a statistical analysis determining The Greatest Diva of the Past 25 Years. This treatise, by one Jay Caspian Kang, was limited in scope to ladies inhabiting the realm of popular music,…
When Peter Gelb really wants an artist at the Met, he pulls out all the stops. La Cieca hears that Bryn Terfel, on his way back to New York after a brief visit with his family back in Wales, arrived at the airport in the UK this morning only to discover he left his passport…
La Cieca wishes she could write a caption so deadpan.
Talk of the Town
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
“As beautiful as her singing was, [Renata Scotto] never was much of an actress.” — Lotfi Mansouri: An Operatic Journey
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