The Platonic ideal of the barihunk has arrived, and his name is John Chest. The 25-year-old dreamboat is the winner of the 2010 Stella Maris International Vocal Competition, where he sang music by Rossini, Korngold, Schubert, Mendelssohn and Britten. According to a charmingly phrased press release, “Chest was put forward by the Bayerische Staatsoper, Munich, […]
“Sombre splendor there is frequently not.” Zachary Woolfe mulls Don Carlo. [New York Observer]
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
“A book about Mr. Lebrecht’s ‘search for Gustav Mahler,’ as he calls his obsession, this is also a book about Mr. Lebrecht, a far less compelling subject.” [NYT]
German heldentenor and crossover performer Peter Hofmann died yesterday. He was 66.
Controversial diva Marina Poplavskaya is the subject of a profile in the current New Yorker that does not include any bloodhounds snappin’ at her rear end, but that’s about the only life experience omitted. Highlights include the soprano’s lugging a trolley full of luggage across 14 lanes of Buenos Aires traffic following a dispute with […]
The prolific “Swan of Bergamo” (as he is almost never called) was born November 29, 1797.
The interpretation of Carmen by Latvian mezzo-soprano Elina Garanca has been much debated, many finding her cold and remote, others admiring her subtly smoldering quality. A new Deutsche Grammophon DVD documenting the Met’s January 16, 2010 performances offers us an opportunity to examine the gypsy in close-up. This is certainly not the lusty, passionate, mercurial Carmen […]
La Cieca hoped you would have a devil of time with last time’s Regie quiz, but she was wrong. And right, too, of course, since the work in question was Mefistofele. Congratulations to Cara Speme, first to guess, and correct on the first try. More puzzlement after the jump.
“This company premiere features an outstanding cast led by soprano Patricia Racette, ‘the consummate singing actress’ (Chicago Tribune).” [Washington National Opera]
You’ve survived the crowds of Black Friday, but can you face the terrors of Decorator Beige Saturday? Huge savings in every department.
Don Carlo is truly a grand opera, Verdi’s biggest, no matter if it’s the four or five act version. It is a bitch.
The truth, at last: “By Manuela Hoelterhoff and Zinta Lundborg” [Bloomberg]
Chicago’s opera community has been abuzz about this production of Verdi’s Un ballo in maschera ever since the 2010-11 Lyric Opera season was announced. A sumptuous production owned by San Francisco opera, major female stars, a solid male cast of experienced Verdians, and stage direction by the legendary Renata Scotto—what more could one ask?
“Il più amato, il più osannato, il solo e unico varietà operistico radiofonico quotidiano,” or, as we call it, La Barcaccia, examined earlier this week “Donne sull’orlo di una crisi di nervi.” The divas on a verge of a nervous breakdown include Cecilia Bartoli and our own Renée Fleming in a (though not the) legendary […]
Well, La Cieca thought surely by now someone would have come up with the title of last week’s Regie quiz, but, go figure. Prepare to slap your forehead and yell, “Of course,” because it’s Die Soldaten in a production that’s just opened at De Nederlandse Opera, directed by Willy Decker. Now, this week, La Cieca […]
Eyes flash! Fans snap! Petticoats rustle omiously! It’s a full-scale diva catfight online as producer David McVicar lashes out at the “sheer, crass ignorance and spitefulness” of bloggress Intermezzo!
A Netrebko can flutter her wings over a flower at the Vienna Staatsoper and cause an hurricane in Avery Fisher Hall. [Wig & Pen]
“The enigma at the center of the epic was Marina Poplavskaya’s Elizabeth.” [New York Post]
“…whenever he was joined by the baritone Simon Keenlyside, who sang Rodrigo, the Marquis of Posa and Carlo’s devoted friend, Mr. Alagna opened up in every way.” Well, wouldn’t you? [NYT]
“Because the one I had for lunch was delicious.”
Very few things intrigue me as much as analyzing belcanto operas, comparing their several versions and examining the composers’ second thoughts, modifications and revisions that, willingly or unwillingly, they made to their scores. I was already salivating when I heard that the Teatro Comunale di Bologna was going to perform Vincenzo Bellini’s I Puritani in […]
The blog GTL Torn T (which La Cieca assumes has something to do with gay teens in torn t-shirts) offers a sound clip from the prima of Adriana Lecouvreur at the Royal Opera. Very attractive stuff, though La Cieca must insist that she does not care for that concert ending on “La dolcissima effigie!”
Whom would you prefer to pat down at an airline security check-in?
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