Recent Stories
La Cieca’s operative in San Francisco writes: “SFO’s marketing for the upcoming production of Attila has offered a rotating door of Odabellas. Sadly, as of the latest update, I’m fearing the musical chairs may have landed on the least favorable of the announced divas.”
La Cieca has just heard that Salvatore Licitra is out of all performances of the Met’s 2012 revival of Ernani. The role of Verdi’s bandit will be shared between Marcello Giordani and Roberto DeBiasio.
Continuing what La Cieca hopes will be a fascinating discussion of the “sacro fuoco.” Let’s start with a Wikipedia definition: “Il sacro fuoco è una delle tante espressioni comuni per indicare una sacralità del fuoco, sia per ragioni religiose, sia per mera simbologia rituale.”
As was perhaps inevitable, Anna Netrebko is on the cusp of the Mildred Pierce phase of her career. The soprano talks about her plans to open a restaurant, her reasons for retiring Violetta from her repertoire, and her distaste for inflated ticket prices in an interview appearing in the German magazine Stern.
While major stars like René Pape and Piotr Beczala had to wait until they were over 40 to record a solo aria CD, Julia Lezhneva has just done her first—and she’s only twenty-one! After a drought, CD companies are issuing a surprising number of debut recitals; Nino Machaidze, Olga Peretyatko, Mojca Erdmann, and Aleksandra Kurzak…
The Man of Steel is in danger again, this time from a new gang of supervillains: Lila and DeWitt Wallace. [NYT]
I received a package in the mail this afternoon from La Cieca, and eagerly tore it open. I knew that this was to be my parterre review assignment… rapture! It was a CD of an opera: The Brothers composed by… George Antheil? Who the fuck is that? After researching him for a bit, I got…
Soprano Amber Wagner will sing all the performances of Ariadne auf Naxos at Lyric Opera of Chicago in 2011-2012, replacing Deborah Voigt, who “is focusing increasingly on dramatic soprano roles and has made the decision to remove the role of Ariadne from her repertoire for the time being.” Performances run November 19-December 11.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
It is a known fact that in summer, I only attend events in my habitual haunts of Nice, Antibes, St. Paul de Vence and Milan. However, when our coquine doyenne begged on her knees (à la Gencer in Alceste), I accepted the assignment to review Martina Arroyo Foundation’s production of Puccini’s La Rondine.
There was a lot of circling around the title of the most recent Regie quiz, so La Cieca can’t name a clear winner. Several of you were correct, though, in hinting it was Prodaná nevesta, specifically Andreas Homoki‘s production for the Komische Oper Berlin. Something a bit frillier next.
The cher public (as always, pictured) are invited to talk about anything and everything in this, your general discussion thread for the week of July 17.
Those of you who are fascinated by new opera and those of you interested in the American labor movement will find common ground in the Rockland, a new opera by Jussi Tapola and Jukka Linkola. It’s based on an incident in Michigan’s history: in 1906, a group of striking Finnish-American copper miners were confronted by…
La Cieca has just heard that the great American baritone Cornell MacNeil died earlier today. He was 88.
It’s a scorcher out there, cher public, at least in New York, so perhaps some of you will want to stay inside where it’s cool, and enjoy a Saturday afternoon chat, where things are bound to heat up. A few suggestions for you listening pleasure, after the jump.
Which gay operatic power couple’s once blossoming romance has struck out after an alliance lasting over two decades?
Nathan Gunn (not really pictured) made his debut as Eugene Onegin in Cincinnati Opera’s production of Tchaikovsky’s opera last night. He certainly has the physicality for the part and the vocal potential. In this performance he sang well and expressively but without the heft to fully project over the orchestra.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Arrigo
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The Talk of the Town
A favorite Verdi performance from Peter Russell
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The Talk of the Town
A favorite Verdi performance from TC
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The Talk of the Town
A favorite Verdi performance from Anna Netrebko
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
The Talk of the Town
A favorite Verdi performance from Armerjacquino
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
The Talk of the Town
A favorite Verdi performance from Remko Jas
A favorite Verdi performance from Remko Jas
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
George Steel talks about “leaving the travertine fastness of Lincoln Center and coming out to meet the people of New York: in Brooklyn, in Harlem, in Central Park, on the West Side, the East Side — wherever New Yorkers live and love their favorite opera company,” in, of all places, the Huffington Post.
The Paul Taylor Dance Foundation has announced that the Paul Taylor Dance Company 2011-12 New York Season will be at the David H. Koch Theater at Lincoln Center for the Performing Arts. The three-week season will begin on March 13 and end on April 1, 2012.
Although La Cieca (center) has never played Fort Sumter, she thinks she can recognize the sound of a shot being fired. A forwarded email, after the jump.
What better way to celebrate le 14 juilliet than with a provocative piece on opera by and about two of La Cieca’s favorite revolutionaries, Zachary Woolfe and Gerard Mortier (respectively), followed by cries of “Liberté, égalité [and especially] fraternité!” from that madcap maven of musical mirth, Maestro Wenarto (after the jump.)
Trying to suggest erstwhile world-renown of Guillaume Tell to a 23-year-old who had never heard of it, a friend of mine mentioned The Lone Ranger. “What’s The Lone Ranger?” replied the youth. And the sun rises and the sun sets and all things must pass. But surely he knew Bambi Meets Godzilla, which also uses…
It is a thousand pities Francesco Cavalli never saw Some Like It Hot. A tale of convoluted romances, cross-dressing, immoral moralizing and a divine diva would have been right up his alley, or rather, Venetian canal. As staged by Vertical Players Repertory in a back alley around the corner from the Gowanus Canal in Brooklyn’s…
UPDATE: Complete press release after the jump! You know La Cieca will be following NYCO’s press conference starting today at 1:00 pm. The Twittering community will carry live updates from the event, and you, the cher public, can follow the tweets after the jump.
On the eve of New York City Opera’s announcement of their 2011-12 season tomorrow at the Guggenheim Museum, La Cieca has been forwarded an email sent by AGMA to its members offering details of what Alan Gordon says are the company’s proposals for the beginning of contract negotiations. The text of the email after the…
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