Recent Stories
Happy 89th birthday composer Arvo Pärt
One day after the announcement that General Director Michael Capasso is retiring, New York City Opera announces the “installation” of Music Director and Principal Conductor Constantine Orbelian as Executive Director.
Douglas Boyd conducts the Garsington Opera company in a live Proms performance featuring Iestyn Davies, Lucy Crowe, Richard Burkhard, Caspar Singh, James Newby, Stephanie Wake-Edwards, Camilla Harris, Nicholas Crawley, and Christine Rice
But pressing questions remains: Why? Who is this Figaro for?
On this day in 1838 Berlioz‘s Benvenuto Cellini premiered in Paris
Michael Capasso, General Director of the enfeebled remains of New York City Opera, announces his retirement
Born on this day in 1828 writer Lev Nikolayevich “Leo” Tolstoy
Born on this day in 1841 composer Antonín Dvorak
Grand Tier Grab Bag
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
My sister’s keeper
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Brandon Jovanovich, Asmik Grigorian, Roman Burdenko, Boris Pinkhasovich, Violeta Urmana, and Victoria Karkacheva in a performance lead by Aziz Shokhakimov recorded earlier this year in Munich
Happy 59th birthday soprano Angela Gheorghiu
Unlike more surface-level historically informed practice which has become the norm in early music ensembles, this project stands out in its surprisingly deep engagements with the ethical and practical challenges posed by “recreating” Wagner’s sound.
On this day in 1791 Mozart‘s La clemenza di Tito premiered in Prague
Following Gundula Janowitz and Janet Baker, Chris’s Cache sends birthday greetings to another favorite diva—Karita Matilla—with a quartet of broadcasts.
Happy 64th birthday soprano Karita Mattila
Two experimental new works from thingNY explore decadence, quarantine, digestion, and lineage at The Exponential Festival.
Happy 60th birthday bass René Pape
Talk of the Town
The best thing I saw this year was Das Rheingold
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
The best thing I saw in 2025 was Stiffelio
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
The best thing I saw in 2025 was Amartuvshin Enkhbat
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
The best things I saw in 2025 were vocal recitals
I’m going with four outstanding, deeply personal NYC recitals
I’m going with four outstanding, deeply personal NYC recitals
The best thing I saw in 2025 was In a Grove
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
The best thing I saw in 2025 was Festen
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
Only by knowing what went on around the great composers is it possible to truly understand why they are great and why their operas have come down to us (and why dozens of other titles have been left behind).
Born on this day in 1910 singer and actress Kitty Carlisle Hart
Michael Anthonio crunches the numbers on San Francisco Opera’s recent seasons and goes straight to the top to General Director Matthew Shilvock for a look at where SF Opera has been and where it’s headed
Born on this day in 1919 dancer Marge Champion
Born on this day in 1935 conductor Seiji Ozawa
Marc Minkowski conducts Benjamin Bernheim, a fourfold Kathryn Lewek, Christian Van Horn, and Kate Lindsey in a live broadcast from the Salzburg Festival
On this day in 1829 Rossini‘s Guillaume Tell premieres in Paris
When the subject of New York City Opera comes up, you always hear the same query: “What happened to City Opera? Are they even performing these days??”