Planks, for the memory
The Robert Lepage production of the Ring cycle will be shown complete (including the now de rigueur fifth part of the pentalogy, Wagner’s Dream) September 11-14 on PBS
The Robert Lepage production of the Ring cycle will be shown complete (including the now de rigueur fifth part of the pentalogy, Wagner’s Dream) September 11-14 on PBS
“I have learned by the perfectest report they have more in them than mortal knowledge.”
Verdi’s only successful comic opera, Falstaff, is notably hard to produce.
Puccini’s evening of one-act operas Il Trittico seems to be riding a wave of popularity over the last few years, with a new production at the Met and several high-profile productions in America and Europe.
Sometimes an obscure opera is revived, and everyone hails a lost masterpiece.
Which Met diva will sing two numbers “down a minor second” in her performances during the 2012-13 season?
You may recall a couple of weeks ago La Cieca spoke to Giuseppe Filianoti about the “lost” aria from Cilea’s L’arlesiana he had reconstructed to include in a concert performance of the opera.
As Leon Botstein has never said, “I digress.” La Cieca invites you too, cher public, to digress here in your weekly intermission feature.
Apparently, we learn very little in life; the follies we pursue with haste in youth are answered by the follies we commit in age with great deliberation.
Alexandra Deshorties will perform the key role of Juliana Bordereau in the Dallas Opera’s 25th anniversary production of Dominick Argento’s The Aspern Papers.
Scoring the Fire and Music contest was tricky, cher public, as the selections were both quite brief and relatively obscure.
Zachary Woolfe (not pictured) makes his way to Bayreuth to try to unravel the Evgeny Nikitin mystery.
The diva must be a Diva in Adriana Lecouvreur. Fact.
The opening performance of the already-notorious 2012 Bayreuth Festival, Der Fliegende Holländer, begins at noon today EDT and is relayed on a number of web-available radio stations.
In a startling move sure to dominate the news cycle, presumptive Republican nominee Mitt Romney has tapped bass-baritone Evgeny Nikitin as his running mate in the 2012 Presidential race.
The most wonderful thing about opera on video is the vicarious thrill of seeing performances of important works in the most glamorous foreign theaters in gala presentations with musicians of great renown for a piddling fraction of the cost.
Richard Wagner told Cosima he first got the idea of composing an opera about Tristan and Isolde while he was conducting Bellini’s I Capuleti e i Montecchi starring his muse, Wilhelmine Schröder-Devrient, in the trouser role of Romeo.
Evgeny Nikitin‘s controversial tattoos have left many people puzzled and given rise to a good deal of speculation.
Is the threnody, the lament over a beloved corpse, the oldest form of song? Surely it is among the oldest; one of the most widespread and stylistically various, millennia before opera was devised.
Evgeny Nikitin has withdrawn from the Bayreuth Festival’s new production of Der Fliegende Holländer after a German television program revealed the bass-baritone has a swastika tattoo.
“Scientist, lover, gambler, unwed mother — the 1700s French intellectual Émilie du Châtelet was all these and more.”
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