Recent Stories
This week, Jungfer Marianne Leitmetzerin has been unusually generous, sharing a performance of Pelléas et Mélisande featuring the dream pairing of Simon Keenlyside and Lorraine Hunt Lieberson.
Verdi’s Macbeth poses a challenge to any company with the audacity to mount it.
Mr. Ian Rosenblatt is a London solicitor and patron of charitable causes in Britain primarily focused on classical music.
An opera house is good for other things besides opera performances, cher public, such as (for example) discussion of off-topic and general interest subjects.
Norman Lebrecht, who is now actively trying (and failing) to destroy classical music—and why not: look how cruelly the industry has treated him!—has published a “review” from a “critic” who walked out of a three-act opera after the first act.
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Treat yourself to the beauty and pageantry that is grand opera at the Metropolitan Opera.
A summer performance of a wintry treat is this week’s bonbon from the Mike Richter collection, this time from his Opera from Munich CD-ROM, AE204.
In Issue #40 of parterre box, the queer opera zine, Our Own JJ nabs lengthy interviews with critic John Ardoin and tenor Richard Leech.
First video snippets of the new Prince Igor are now live on the Met’s website.
One has “made it” when one is gently lampooned by that edgiest of all late-night funnymen, Jay Leno.
AGMA’s Alan Gordon warns his membership of a possible lockout by the Met if contract negotiations break down this summer.
“The gowns took weeks to make, therefore you will realize how difficult it would be to make a fixed price for gowns created by Lady Duff-Gordon.”
Joined by the Choir of Trinity Wall Street, The English Concert concluded the US leg of its current tour at Carnegie Hall Sunday with a complete performance of the darkly moving Theodora, Handel’s penultimate oratorio.
Talk of the Town
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
A favorite art song performance from Arrigo
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
Our Own Jungfer Marianne Leitmetzerin returns with a treat from the Teatro Colon: a live performance of Manon Lescaut starring Monterrat Caballé and Richard Tucker!
Don’t be in such a hurry, cher public: linger a while to discuss off=topic and general interest subjects.
To celebrate the birthday of Renata Tebaldi, our friends at Opera Depot are offering a free download of live performances by this great diva.
“A charming musical performance welded to a dramatic production so old and stale that, like fish left out too long, it’s starting to smell.”
“In her first role in a play, Ms. Fleming will make her debut at the [Williamstown Theater Festival] in Living on Love…”
La Cieca’s operative deep in the bowels of the Josie Robertson Plaza has just informed her that the announcement of the Met’s 2014-2015 season is now less than two weeks away.
Well, “extreme” is such an, oh, how shall I put it… extreme word, my dears; really La Cieca is no more than the humble intermediary here between Mike Richter‘s CD-ROMs and you, the cher public. This time our treat from the trove is Eugene Onegin, a selection from his disc devoted to the Metropolitan Opera…
So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso?
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