Namenlos in Lieb’ umfangen
SiriusXM is broadcasting right now a 1981 performance of Tristan und Isolde featuring Gwyneth Jones (pictured) and Spas Wenkoff, with James Levine conducting the work that season for the first time in his career.
SiriusXM is broadcasting right now a 1981 performance of Tristan und Isolde featuring Gwyneth Jones (pictured) and Spas Wenkoff, with James Levine conducting the work that season for the first time in his career.
Those of you who read this site faithfully (and I know there are one or two of you) will be interested to know that a boycott of parterre.com has been organized by fellow blogger Bari-Chunks.
Friend and friend-in-law of parterre box Greg Sandow pours the oil of calm and rational analysis upon the troubled waters of the Met’s current labor negotiations in the most recent installment of his always excellent (not to mention eponymous) blog.
AGMA and Local 802 have agreed to the Met’s proposal that Allison Beck, a representative of the Federal Mediation and Conciliation Service, be appointed immediately to mediate negotiations, working with both sides to find a compromise agreement.
“Mr. Burden did his best to wrestle with what looked like a disused Dale Chihuly chandelier, but…”
I put together a video just for a bit of fun today, looking at the standard “warhorse” operas that opera companies tend to throw at us year after year, and offering some alternative operas that could be offered in their place.
The MET Orchestra musicians who, we are assured, ‘love the Metropolitan Opera and want it to succeed” have revised their PPT deck to identify what they claim is an additional $1.2 million in cost savings to the company…
Die langen schwarzen Haare nach hinten gegelt, in schwarzer Hose und Hemd und Schlangenmustermantel zeigt er bodygebuildete Muskeln, die gut und gerne darauf schließen lassen, dass er auch Ähnliches in der Hose haben könnte.
Meet Tobias Kratzer (left) who is scheduled to direct Tannhäuser for Bayreuth in 2019.
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
This week, Our Own Jungfer Marianne Leizmetzerin turns her vigilant ears to the recent past to take in a performance of Il trovatore featuring Anna Netrebko and Plácido Domingo.
As the clock continues to tick on the Met’s impending labor crisis, La Cieca is sure the cher public will have plenty to say about off-topic and general interest subjects.
The legendary and beloved Italian tenor died earlier today. He was 90.
La Cieca has come into possession of an interesting presentation, with fonts and everything, from Local 802, American Federation of Musicians, and the Metropolitan Opera Orchestra, outlining their solution for the current financial crisis at the Metropolitan Opera.
“Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened?
I have banged on and on about doing an “Abscheulicher” quiz for years.
Christine Goerke is the Prima Donna in this scene from Francesca Zambello‘s Glimmerglass production of Ariadne auf Upstate New York, and Did I Mention That the Komponist is a Dyke?
Your conduit to the spirit world, La Cieca, isn’t feeling quite as clairvoyante as usual today, cher public, so she’s going to ask your help in predicting what will happen in the course of the Met’s current labor negotiations.
“The labor strife at the Metropolitan Opera took on a new urgency Wednesday, when the company’s general manager, Peter Gelb, sent its orchestra, chorus, stagehands and other workers letters warning them to prepare for a lockout if no contract deal is reached by next week.”
“Renee Fleming appears to be having as much fun as the audience with her send-up of a fragile opera diva.” [Troy Record]
Bel Canto at Caramoor is something that I’ve always wanted to attend but never have because … well because frankly I’m just too lazy during the summers, and I’m also a big baby about outdoor performances.
Two operas both alike in dignity, set in dimly lit Renaissance towns ruled by seething, conspiratorial courts.
Our Own Jungfer Marianne Leitmetzerin gets all giddy and girlish as she salutes the opening of the 103rd Bayreuth Festival this week.
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