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On this day in 1918 soprano Rosa Ponselle made her Metropolitan Opera debut, and her first appearance in opera, as Leonora
After an uneven gala performance of Tosca on Tuesday, I’m not sure what the Met means by “celebrating Puccini.”
Born on this day in 1926 soprano Leonie Rysanek
“The Metropolitan Opera announced the appointment of Daniele Rustioni to the position of Principal Guest Conductor for a three-year term.”
Later this month the Met at last revives its striking Herbert Wernicke production of Die Frau ohne Schatten, prompting a Chris’s Cache preview of three live recordings of Strauss and Hofmannsthal’s fanciful if knotty masterpiece.
Born on this day in 1914 librettist and composer John La Touche
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Grand Tier Grab Bag
Grand Tier Grab Bag
Erste Brautnacht
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Grand Tier Grab Bag
Tabled for now
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Grand Tier Grab Bag
My heart belongs to daddy
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Grand Tier Grab Bag
Mediterranean crossings
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag
Ritorna un’altra volta
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Grand Tier Grab Bag
My sister’s keeper
My sister’s keeper
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
With Boston Lyric Opera’s largest opera production of the season already well behind us, the one-off semi-staged gala performance of Aïda held on Sunday at Emerson College’s Colonial Theatre to support the company’s vast education and community engagement apparatus, was a particularly enticing entry on the Boston cultural calendar.
I was just moderately excited when LA Opera announced that French tenor Benjamin Bernheim would be coming to concertize at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, 90210.
Born on this day in 1939 soprano Lucia Popp
The New York Philharmonic podium has been occupied the past two weeks by Finnish conductors once thought to be top contenders for the ensemble’s music directorship.
On this day in 1993 Dvorak‘s Rusalka finally appears at the Met. Gabriela Benacková does the honors.
Born on this day in 1759 poet and dramatist Friedrich von Schiller
A live broadcast from Barcelona.
Happy 59th birthday bass-baritone Bryn Terfel
Talk of the Town
The Talk of the Town
The best thing I saw this year was Das Rheingold
The best thing I saw this year was Das Rheingold
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
The Talk of the Town
The best thing I saw in 2025 was Stiffelio
The best thing I saw in 2025 was Stiffelio
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
The Talk of the Town
The best thing I saw in 2025 was Amartuvshin Enkhbat
The best thing I saw in 2025 was Amartuvshin Enkhbat
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
The Talk of the Town
The best things I saw in 2025 were vocal recitals
The best things I saw in 2025 were vocal recitals
I’m going with four outstanding, deeply personal NYC recitals
I’m going with four outstanding, deeply personal NYC recitals
The Talk of the Town
The best thing I saw in 2025 was In a Grove
The best thing I saw in 2025 was In a Grove
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
The Talk of the Town
The best thing I saw in 2025 was Festen
The best thing I saw in 2025 was Festen
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
My first opera of the new season in Paris, after kicking off in Brussels with Kris Defoort’s thought-provoking The Day of our Singing, was another nearly-new work, totally new to me: Sir George Benjamin’s Picture a day like this.
In a splashy new recording of Norma, Marina Rebeka “is doing something very untoward, and it appears destructive to her voice.” It has Niel Rishoi worried.
Born on this day in 1927 soprano Ingrid Bjoner.
It surprises even me how some operas have eluded me in live performance even after lo, these many years. One of them is Gounod’s Roméo et Juliette.
Washington National Opera rounded out its season opening weekend with a one-night-only performance entitled “Gods & Mortals: A Celebration of Wagner” the evening after the premiere of its new production of Fidelio.
Born on this day in 1926 soprano Joan Sutherland
Andy Knapp recently wrote enthusiastically about a 1973 Met pirate recoding of Il Trovatore starring Montserrat Caballé, Viorica Cortez, Plácido Domingo, and Robert Merrill. Chris’s Cache today shares that recording, as well another Met in-house starring the same soprano, tenor and baritone in Un Ballo in Maschera from several years earlier.