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This week’s operatic offering from Jungfer Marianne Leitmetzerin goes out as a request. Our Own Camille asked for (and got) a little Mercadante in the mix, a live performance of I briganti from 2012.
La Cieca suggests the cher public kick off this week’s round of off-topic and general interest discussion with a little speculation as to which of Grace Moore‘s repertoire of operatic roles Miss Kathryn Grayson is enacting on this poster.
Live from the Bayerische Staatsoper this very afternoon, cher public, Bernd Alois Zimmermann‘s Die Soldaten, featuring the protean Barbara Hannigan.
That fount of received wisdom Heather Mac Donald is at it again, calling out Our Own JJ for his desire to see a more varied and thoughtful dramatic reading of Rusalka at the Met.
Oh, Christ, can you fucking believe a spokesperson for the Met chorus is still clanking on about the price of the poppy field in Prince Igor?
This week’s gem from the Mike Richter collection is all the more precious for its rarity: a performance of Fauré’s Pénélope starring ravishing Régine Crespin.
The battle of the management-labor emails continues with Alan Gordon demanding Peter Gelb fire his driver.
Some ideas are so absurd that the only way to describe them is to simply use the liner notes.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
…Miss Garden never even turned her head, although the noise was directly behind her.”
Our Own Jungfer Marianne Leitmetzerin has unearthed a hunk of prime Verdiana: a live 1972 Forza del Destino starring Leontyne Price and Franco Corelli.
The Cleveland Orchestra’s premiere performance of Janacek’s Cunning Little Vixen proved to be both a critical and audience success.
With the help of our friends at ArtHaus Musik, the Deutsche Oper Berlin have really been emptying out their archives and that’s certainly all for the good.
Noted exemplar of Viennese frivolity Deborah Voigt will sing her first performances of The Merry Widow with Michigan Opera Theater in April 2015.
La Cieca hopes her cher public will not be at cross purposes when addressing this week’s off-topic and general interest subjects.
Starting in just half an hour, a live broadcast of Faust from De Nederlandse Opera starring Michael Fabiano and Irina Lungu.
The apparently underemployed mezzo Alice Coote has been hitting the laptop again, this time delivering a rant that only makes sense if you read it aloud, slurring, “An’ another thing!” after each paragraph.
Talk of the Town
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
A favorite art song performance from Arrigo
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
To celebrate reaching over 14,000 subscribers with over 18 million video views, I put together a compilation of my top 25 video postings from the past six years.
There goes my very last nerve.
Your Own La Cieca has emerged from semi-retirement to present the 2014 Pubie Awards.
By special request of Our Own DeCaffarrelli, and courtesy of Mike Richter, here’s a treat: a 1969 performance of La Cenerentola starring the delectable Teresa Berganza.
Alan Gordon replies to a letter from Peter Gelb we haven’t seen yet. La Cieca has to wonder if the Wendy White thing is really going to turn out to be an effective negotiating tactic.
Cher public, you know that Rupert Christiansen is not someone with whom your doyenne often agrees, but this time he’s got it right.
Malena Ernman heads a starry cast in this 2011 performance of Serse from the Theater an der Wien, courtesy of Our Own Jungfer Marianne Leitmetzerin.
Once upon a time, a man and a woman met. He could sing, she could sing. They fell in love, got married, and became a power couple to rival Billary.
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