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So, if the opening of the Met season is canceled, Anna Netrebko can always find work as a replacement Yitzhak on Broadway.
Our Own Dawn Fatale (artist’s conception) will take to the airwaves of Bloomberg Radio this evening at 9:00 pm to discuss the Met’s current woes.
“Dress size is like a delicate exotic fruit; touch it and the bloom is gone.”
Worried about the future of opera in America? Don’t be!
It’s been too long, cher public, since La Cieca last lauded the true unsung heroes of parterre box: our advertisers.
This week, Our Own Jungfer Marianne Leizmetzerin presents what is perhaps the briefest Bühnenweihfestspiel on record.
La Cieca admits she has nothing prepared, so you, the cher public, will have to keep yourselves amused with discussion of off-topic and general interest subjects.
Our Own Coloraturafan salutes the summer festival season with a compilation of Ladies Macbeth singing “La luce langue.”
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Lucky Müncheners won’t be the only ones reveling in Rossini this afternoon: the opening of the Bayerische Staatsoper’s Guillaume Tell will be webcast starting at noon EDT, naturally with a session at La Casa della Cieca devoted to discussion.
The legendary conductor, mainstay of New York City Opera for 35 years, has died, says @nprclassical.
From one of the earliest Mike Richter CD-ROMs, “Odd Opera,” comes a piece definitely fitting that description.
The Met’s administrative offices were vandalized this morning, with “obscene messages” sprayed “on some paintings and sculptures.”
“Now, ‘grand’ can mean ‘opulent’ or ‘magnificent,’ which this concert’s singers certainly were.”
Guys, this would be funny if if weren’t so scary.
Luxuriantly maned divos Dmitri Hvorostovsky and Roberto Alagna rehearse Otello.
“God knows some day I hope to love a man,” says actress Mary Garden.
Talk of the Town
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
A favorite art song performance from Arrigo
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
A favorite art song performance from Belfagor
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Smoldering Vesselina Kasarova is Carmen in a 2009 live performance from the Wiener Staatsoper, this week’s offering from Jungfer Marianne Leizmetzerin.
Take advantage of this brief interval, cher public, to discuss off-topic and general interest subjects.
With all due respect to Meryl Streep, there is only one actress currently active in film qualified to play Maria Callas.
Jaw-breaking soprano Tamar Iveri is trying to walk back her recent homophobic rant by saying she has “many gay friends.”
Our Own JJ (not pictured) debates Tim Smith, classical music critic of the Baltimore Sun, on the topic of the Met’s cancellation of the HD telecast of The Death of Klinghoffer.
“The award-winning MET Orchestra’s global reputation as a top-tier ensemble is critical to New York City’s tourism and cultural economy.”
I avoided visiting any waxworks establishment until On Site Opera’s lively production of Rameau’s one-act Pygmalion summoned me Tuesday evening to Madame Tussauds just off New York City’s Times Square.
It had to happen sooner or later: Meryl Streep will play Maria Callas.
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