Love me, love my dog Love me, love my dog

On this day in 1962, Philharmonic Hall (since renamed Avery Fisher Hall) opened as the first unit of Lincoln Center for Performing Arts.

Tiara in the aisles Tiara in the aisles

Our Own JJ (pictured) is off to cover the Met’s opening night.

Femmes fatales Femmes fatales

You’ve cast your votes for the operas you most look forward to hearing at the Met this fall, and if the opera has “Macbeth” in the title, you’re there.

Felice troppo Felice troppo

Our Own Jungfer Marianne Leitmetzerin celebrates tonight’s opening of the season at the Met with an opening night from the past: a 1967 performance of La traviata.

Golden anniverary Golden anniverary

On this day in 1869, Richard Wagner‘s opera Das Rheingold premiered in Munich.

About last night About last night

For those who like their Handel loud, with no forfeit of baroque finesse, one promising solution is to make the hall smaller.

Running, jumping, or burning Gaul Running, jumping, or burning Gaul

Far be it from me to join the Schadenfreudian chorus of “Bye, Bye, Berti!” you may have been hearing in certain quarters, but the first thing I am duty-bound to report about San Francisco Opera’s Norma (of which three performances remain) is that they’ve hit the jackpot, coverwise.

That will bring us back to Do That will bring us back to Do

As the New York season starts, cher public, here is your refuge where you may discuss off-topic and general interest subjects.

Not since the old Jill Gomez Not since the old Jill Gomez

Born on this day in 1912 Chuck Jones, American animator, screenwriter, and producer.

Three nights in Paris Three nights in Paris

“Oh to be young and going to Paris for the first time,” exclaimed an elderly gentleman who donned his best sweatervest for a concert at the Ottawa International Chamber Music Festival this past August.

Juan and two Juan and two

I always think of Don Giovanni as half of the greatest opera ever written. Or, actually, about 2/3 of the greatest opera ever written.

Twice on this island Twice on this island

Here’s a last-minute alert to a bit of baroque in downtown NYC: the project WhiteboxLab: SoundLounge will livestream performances of Handel’s Alcina tonight and tomorrow night (Sunday) starting each evening at 7:00 PM.

Sophistry Sophistry

On this day in 451 AD, Roman General Flavius Aetius defeated Attila the Hun at The Battle of the Catalaunian Plains, halting the Hun invasion of Roman Gaul.

Listen like a pirate day Listen like a pirate day

In honor of “Talk Like a Pirate Day” La Cieca invites you, the cher public, to share reminiscences (and, where applicable, YouTube clips) of your favorite pirate recordings.

Hello, Mini! Hello, Mini!

Born on this day in 1949 Twiggy.

Sounds crazy, no? Sounds crazy, no?

“Possibly Grange Park Opera’s most ambitious production… Ever.”

Le déluge Le déluge

The very busy Met press office announces: “The Metropolitan Opera announces cast changes for this season’s performances of Wagner’s Die Meistersinger von Nürnberg, Verdi’s Aida, and Humperdinck’s Hansel and Gretel.”

Tristissimus Thursday Tristissimus Thursday

On this day in 14 AD, Tiberius was confirmed as Roman Emperor by the Roman Senate, following the death of Augustus.

Divina, deconstructed Divina, deconstructed

“The sensation is that you are actually right there in the studio with Callas herself.”

We live on the wind and in the sparkle of a star! We live on the wind and in the sparkle of a star!

On this day in 1964, the sitcom Bewitched premiered on ABC television.

It’s a good career It’s a good career

Music Director James Levine (pictured, left) is obviously feeling well enough that he can get back to favorite pastime, i.e., making sure nobody else has a success except him.

The dark side of the moon The dark side of the moon

After viewing Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.”

U mad? U mad?

For all those Mad Scene lovers out there, here is a video of some great Mad Scenes in opera.

In Bruges In Bruges

They say that Boston, despite many cultural distinctions, ain’t no opera town, and for some decades—generations?—this has been true. But tides of change will break, even on the shores of the Hub.