Recent Stories
On this day in 1965 (i.e., 50 years ago), Sonny & Cher‘s “I Got You Babe” hit #1 on the Billboard Hot 100.
The Metropolitan Opera just announced that Mary Jo Heath, who has worked as a producer and guest host for the company over the past nine seasons, will become the fourth full-time radio host in the company’s history this September.
Surely this is the zenith of the history of the footnote.
Happy 67th birthday soprano Kathleen Battle.
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Yusif Eyvazov will make his Met debut singing the role of Calàf in the performances of Puccini’s Turandot on November 7 matinee and November 12.
Anja Silja staked a claim as a leading Senta of her era with a series of searing performances of Der Fliegende Holländer while in her early twenties.
I have been remiss in posting works of important 20th century composers, tops among them Hanz Werner Henze, a name which sends most opera fans running for the exits.
On this day in 1948 Allen Funt‘s Candid Camera debuted.
I was greatly anticipating Karita Mattila’s recital on Friday in Toronto’s Koerner Hall.
“The British like good tunes, not pretentious noise.”
On this day in 1930 Betty Boop first appeared in Max Fleischer‘s animated cartoon “Dizzy Dishes.”
On this day in in 1963, the Kingsmen released “Louie, Louie”, later the subject of a two-year investigation by the FBI on the charge of obscenity.
Talk of the Town
A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
A favorite art song performance from Arrigo
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
While refined, Lisa della Casa sings “Four Last Songs” deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
A favorite art song performance from Belfagor
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
A favorite art song performance from Rowna Sutin
With youthful abandon, Ms. Feola interprets an old chestnut.
With youthful abandon, Ms. Feola interprets an old chestnut.
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
Geraldine Farrar has gone and the Gerry-flappers are disconsolate.
When LaCieca asked me to choose my favorite live recording, I had to think… and think.
On this day in 1954 the musical The Golden Apple closed at the Alvin Theater after 125 performances.
The CD explosion coincided with an enormous increase in interest in HIP (historically informed performance) so now there were lots of commercial recordings of the sort of operas I had turned to pirates to find.
Born on this day in 1881 gossip columnist Louella Parsons, and in 1911 actress Lucille Ball.
Many live treasures (and some duds) began to take up more and more space—first in my dorm room, then in my first little studio apartment thanks to a group of quite special men, none of whom I ever met face to face.
On this day in 1926 the first Vitaphone “talkie” movie, Don Juan premiered at the Warner Theatre in New York City.
It’s official: in the Met’s new production of Otello, Aleksandrs Antonenko “will not use blackface makeup… breaking with a performance tradition of more than a century.”
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.