Recent Stories
W.C. Fields used to have a funny trope about in show business you should never work with children or animals. To that list should perhaps be added the soprano Anna Netrebko.
Antonio Literes, a boy soprano from Majorca, had, we may presume, friends in high places.
Were La Rondine an IQ test, I’d be in trouble.
On this day in 1967 the Metropolitan Opera performed La Gioconda in Memphis, Tennessee.
Here’s where the parterriani will surely gather to hear and to comment upon this evening’s monster gala celebrating the 50th anniversary of the Met’s incumbency at Lincoln Center.
Note to naysayers: there is nothing wrong with this singing!
“I thought you did it for me, Mama.”
Be ready to start chatting at 12:30 today, cher public, when the Met broadcasts The Knights Who Say “Nez!”
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
The cher public are invited to post YouTube clips of Mme. Dimitrova at her most leonine and/or pachydermatous.
By virtue of its subject matter and the auspicious occasion of its commissioning, Louis Riel was destined to be iconic.
On this day in 1955 the Richard Adler/Jerry Ross musical Damn Yankees opened on Broadway.
On this lovely May morning, La Cieca (pictured) and the gang down at parterre are delighted to salute our advertisers.
“Trove Thursday” presents a live Motezuma conducted by Alan Curtis with Karina Gauvin, Sonia Prina, Mary-Ellen Nesi, Vito Priante and Ann Hallenberg (as Hernán Cortés!).
On this day in 1944 the film Gaslight premiered at the Capitol Theatre in New York City.
“Roberto Alagna has found his most congenial and emotionally moving role yet: Cyrano de Bergerac.”
It is much to be regretted that song recitalists stick to the tried, the true, the excessively familiar when the repertory of song is so vast, so full of treasures ready for the light
Talk of the Town
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
Born on this day in 1917 lyricist and performer Betty Comden.
Only the grand forces of Lyric Opera could bring such power and life to this production of My Fair Lady.
Opera Philadelphia ended its season with Le Nozze di Figaro, Friday, and it will play May 3, 5, and 7—a matinee. Figaro is considered by most to be one of the few perfect operas and although it’s perhaps too easily encountered in routine run-throughs, there are usually rewards in seeing it.
Happy 65th birthday actress Christine Baranski.
Let’s be honest: I was there for Kaufmann and Kühmeier, two of my favorite singers.
On this day in 1941, Citizen Kane premiered at the RKO Palace Theater.
I don’t usually attend a performance of an opera I’ve known well most of my life expecting a revelation.
It was a timeout—but maybe it was a timeout we deserved.