Natural woman
Joyce DiDonato’s Eden immerses listeners within a centuries-spanning musical meditation that channels the majesty of our natural world.
Joyce DiDonato’s Eden immerses listeners within a centuries-spanning musical meditation that channels the majesty of our natural world.
On this day in 1953 soprano Herva Nelli made her Metropolitan Opera debut as Aida.
Born on this day in 1897 soprano Rosa Ponselle.
On this day in 1963 (much against Rudolf Bing‘s will) the Metropolitan Opera presented a new production of Adriana Lecouvreur.
Shortly before Tuesday’s performance of Salome at La Scala, I did something I rarely do: I took a mirror selfie.
On this ray in 1932, soprano Göta Ljungberg made her Metropolitan Opera debut as Sieglinde.
On this day in 2017, Clémentine Margaine made her Metropolitan Opera debut as Carmen.
A first listen to this season’s remarkably strong cast for Poulenc’s masterpiece.
On this day in 1978 the Metropolitan Opera presented a new production of Massenet’s Thaïs.
On this day in 1960 tenor Jon Vickers made his Metropolitan Opera debut as Canio.
It doesn’t get more classic than John Dexter‘s Dialogues des Carmélites.
On this day in 1989, the Metropolitan Opera presented a new production of the double bill of Bluebeard’s Castle and Erwartung.
On this day in 1958 Samuel Barber‘s Vanessa had its world premiere at the Metropolitan Opera.
Live from the Met: Sonya Yoncheva sings the title role of the 19th-century Russian princess, opposite Piotr Beczala as the dashing Count Loris.
On this day in 1951 soprano Marguerite Piazza made her Metropolitan Opera debut as Rosalinde in Fledermaus.
On paper, the Met’s revival of L’elisir d’amore looked like a lovely evening. And at times it was—a few scenes hinted at what it could be and what it might yet become.
On this day in 2003 the Metropolitan Opera presented a new production of Jenufa.
On this day in 2008 Elina Garanca made her Metropolitan Opera debut as Rosina.
A quick survey of the Met website shows wide swaths of available seats for the upcoming performances of La traviata and L’elisir d’amore. Only new works like The Hours and Fire Shut Up in My Bones have been achieving sold-out houses.
A week from tonight Franz Welser-Möst brings the Cleveland Orchestra and Chorus to Carnegie Hall for a rare performance of Schubert’s Mass No. 6 in E-flat Major, D 950.
On this day in 1934 soprano Lotte Lehmann made her Metropolitan Opera debut as Sieglinde.
Featuring Golda Schultz as the clever Adina and Javier Camarena as the hapless Nemorino.
We constantly wonder whether the young man will embrace him—or slit his throat.
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