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Jérémie Rhorer conducts Sarah Maria Sun in Nono and Heidi Melton in Schoenberg in an 20th century soprano-centric double bill live from Venice.
It takes a lot to stop a show with a few minutes of music—and that is exactly what Leah Hawkins did during the 2019 run of Porgy and Bess at The Metropolitan Opera.
Born on this day in 1904 choreographer Frederick Ashton
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It was an unexpected tone for the cold stone and moody ambiance of the catacombs—an odd juxtaposition that I’m not sure really worked.
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James Conlon conducts an eclectic double bill of William Grant Still and Alexander Zemlinsky featuring Nicole Heaston, Norman Garrett, Chaz’men Williams-Ali, Rodrick Dixon, Erica Petrocelli, Kristinn Sigmundsson, and Emily Magee recorded in Los Angeles last spring
On this day in 1954 Britten‘s Turn of the Screw premiered in Venice
It was as though they had released us from an enchantment and we all woke up giggling and surprisingly well rested.
Overall, this was a superb achievement and a thrilling season opener for the San Francisco Opera.
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Born on this day in 1938 mezzo-soprano Tatiana Troyanos
“Let’s start at the very beginning” of Kent Nagano’s pioneering complete Ring project which was recently discussed here in depth in Montagu James’s review of Die Walküre.
One day after the announcement that General Director Michael Capasso is retiring, New York City Opera announces the “installation” of Music Director and Principal Conductor Constantine Orbelian as Executive Director.
Douglas Boyd conducts the Garsington Opera company in a live Proms performance featuring Iestyn Davies, Lucy Crowe, Richard Burkhard, Caspar Singh, James Newby, Stephanie Wake-Edwards, Camilla Harris, Nicholas Crawley, and Christine Rice