Recent Stories
Grand Tier Grab Bag highlights two “Final Trios” from Der Rosenkavalier recorded just two days apart from one another.
My comfort opera after all these years remains Puccini’s Madama Butterfly, even with its sociologically problematical presentation of Japanese culture.
Grand Tier Grab Bag
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
The color, power, and character are all there in this recording.
Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.
Parsifal puts Monsieur to sleep when he most needs it. He has probably listened to more versions than actually exist.
This may be a rather trite choice, but I genuinely believe that Rossini comedies make the ultimate comfort operas.
Talk of the Town
The 2018 Macbeth is so overrated
I don’t know if it’s overrated because I don’t think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi‘s Macbeth.
I don’t know if it’s overrated because I don’t think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi‘s Macbeth.
This 1955 Eugene Onegin is so overrated
This is the classic Onegin and there’s much to love, especially from Khaikin‘s sensitive conducting and Lemeshev‘s ideal Lensky.
This is the classic Onegin and there’s much to love, especially from Khaikin‘s sensitive conducting and Lemeshev‘s ideal Lensky.
The best thing I saw in 2025 was Echo 72
An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
The best things I saw in 2025 were Parsifal and The Monkey King
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
The best thing I saw in 2025 was La sonnambula
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
The best thing I saw in 2025 was Yuja Wang
Yuja Wang slayed in this performance of Prokofiev‘s 2nd piano concerto with the Boston Symphony.
Yuja Wang slayed in this performance of Prokofiev‘s 2nd piano concerto with the Boston Symphony.
Rolando Villazón opens up about his production of La sonnambula, how he develops characters, and what makes opera dance.
Seeing Sondra Radvanovsky as Medea at Lyric Opera of Chicago sprawled across the floor, soaked in her children’s blood, is proof that we’re witnessing an utterly haunting singer-actor.
This sequence of two arias is perfectly judged to calm the jangled or melancholic spirit.
Anna Netrebko managed to debut a new role in Naples earlier this month — Amelia in Un ballo in maschera — and this week’s Grand Tier Grab Bag features her in the complete second Act of her first performance.
This performance truly “never fails to lift my mood.”
A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.
Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?