Questo e Quello

Cherry picking

“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera, […]

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Blue movie

For those of us newly accustomed to watching The Met: Live in HD cinecasts and similar events in our neighborhood theaters, it is easy to forget that opera as cinema was once a very different experience. Ritter Blaubart, one in a series of seven films by Walter Felsenstein recently released on DVD, shows us the […]

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By acclamation

The results of the Repertory Poll are in!  Squirrel asked which three Old Operas you would most like to see staged at the New New Met, and the people have spoken! Results after the jump.

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Staffing up

La Cieca welcomes to the editorial desk of parterre.com new correspondents squirrel and Ercole Farnese, who have already begun their blanket coverage of the New York City opera scene. 

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It’s Pat!

Tonight’s Met season premiere of Il trittico features Patricia Racette‘s first local whack at the three heroines, which means La Cieca expects the parterre posse to be out in force. Check back here at parterre.com beginning at 7:45 for a live chat coinciding with the Sirius/RealNetworks broadcast of the Puccini three-parter.

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Bella

Colombetta, Colombetta, Apri l’uscio, non farmi penar Del balcon solleva il velo Apri amor se no qui gelo Colombetta, Colombetta, Arlecchino gelando si sta.

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Edo it again

The Met’s January Rosenkavalier performances  have been reassigned to maestro Edo de Waart as James Levine “takes it easy” preparing the new production of Les Contes d’Hoffmann.

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Polly want a

So, which composer wants to jump on this peach of a libretto? “The Met’s fund-raising office had kept in touch with Ms. Webster since then. It sent her books about the birds of Central Park; a volume called Red-Tails in Love: A Wildlife Drama in Central Park.”

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Please, Louise

My post about Nielsen’s Maskarade outraged only a few of you, and inspired a passionate discussion about what works we’d like to see at the New New Met. (Thank you, Hans Lick, for your very complete wish list!) You are each now invited to vote for your three most longed-for revivals or premieres at the […]

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Gentleman prefers brunettes

It’s no easy easy task to “re-review” one of the most discussed and scrutinized opera productions of the last few years. Mary Zimmerman’s mise-en-scène of Donizetti’s Lucia di Lammermoor has been extensively examined since it was chosen to inaugurate the 2007/08 season of the Metropolitan Opera, provoking very mixed reactions both from the professional critics […]

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An evening with Aprile

Attached you will find the song lineup for last night’s Aprile Millo recital, though as the saying goes, there were some changes to the printed program. The first half went more or less as planned, though after the R. Strauss a man exiting the auditorium tripped and fell in the aisle, hit his head on […]

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Lock Up Raw

The Met’s new production of Janacek’s From the House of the Dead sets high standards for the company, but as an indicator of the Gelb Era, it may be too good to be true.

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Cocktail party

I have just come back home from Le Poisson Rouge, a stylish multimedia art cabaret in Greenwich Village where Decca offered a sneak peak of Cecilia Bartoli‘s DVD Sacrificium, which will be released some time next year. I normally don’t drink liquor, but my duty as a reporter obliged me not to refuse a special […]

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