Questo e Quello

Fire and Music

With Händel’s canon largely rediscovered and audiences hungry for more music from the Baroque period, opera houses and recording companies have increasingly turned their attention towards the stage works of Antonio Vivaldi. In only the past decade around 25 of Vivaldi’s operas and pasticcios have been revived, and more and more artists are performing and […]

By 109 comments

Wanting magic

“As the Met chorus raised their voices at the climax of Les Contes d’Hoffmann Thursday night, the tavern setting opened up, revealing … a gray wall. It was a sadly appropriate visual symbol for a glamour-deprived dud of a new production.” [NY Post]

By 37 comments

A Fly in Her Ear

Opera and comedy can be a very awkward match. Despite the number of comic operas in the standard rep, most opera fans don’t seek out a local production of, say, Die Entführung aus dem Serail because they need a giggle and 30 Rock is a repeat that night. And so the 1997 Opéra National de […]

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“And thus the whirligig of time brings in his revenges”

Christof Loy’s dreamlike, pared-down production of Donizetti’s 1833 masterpiece Lucrezia Borgia, created for the Bayerischen Staatsoper, is brought to life on Medici DVD from performances in July 2009. The DVD of the performance is accompanied by another hour-long DVD, The Art of Bel Canto: Edita Gruberova, which includes some fascinating rehearsal and performance footage of […]

By 13 comments

Der Musensohn

Our own Gualtier told tales and named names, in great detail, after Monday’s Les Contes d’Hoffmann dress rehearsal. Squirrel was at the premiere, and had a grand old time. Bartlett Sher‘s production lovingly displays the many dimensions of Offenbach’s inspired and charming opera.  With perfect comedic timing, clarity of action, and real depth of feeling, even its few […]

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Chat impending

Just a reminder, cher public, that parterre.com will be the venue for a chat tonight during the Sirius/RealNetworks broadcast of Les Contes d’Hoffmann. Check back here after 7:30 for details.

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Unforgotten

La Cieca hears that the opening performance of Elektra at the Met (December 10) will be dedicated to the memory of Hildegard Behrens, who originated this production in 1992.

By 25 comments

Lights! Camera! Automatons!

What’s opening at the Met tonight may turn out to be a mere bagatelle next to a version of Les Contes d’Hoffmann “filmed in 3D and HD video, featuring 1000 extras, 150 musicians and chorus members from the Paris Opera, 50 dancers and 20 of the world’s greatest singers,” according to the blog By George.

By 21 comments

Mr. Conductor, if you please!

Which A-list Dirigent is currently unwinding in a private facility, singing duets with himself? Which opera company’s usually jovial antegenerale audience erupted into a lion’s den of booing when the maestro took his bow? (By the way, the tenor bought it too.)

By 24 comments

Entry of the God into Valhalla

A new CD set of Der Ring des Nibelungen, recorded live at the Bayreuth Festival in 2008, is slim on superstar casting, but basks in the reflected glory of conductor Christian Thielemann, a controversial artist with a passionate following. So how does the music measure up?

By 7 comments

LA thinks pink

Vocal glamour in abundance highlighted the opening performance of LA Opera’s Il barbiere di Siviglia on November 29 at the Dorothy Chandler Pavillion, with much buzz attendant on the company debuts of Rossini experts Juan Diego Flórez and Joyce DiDonato. Adding excitement was the Figaro of Nathan Gunn, who played with Errol Flynn panache, and […]

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Private dancer

Hunkentenor Giuseppe Filianoti performs a little “risqué business” in this trailer for a new production of L’elisir d’amore that opened last night at the Bayerische Staatsoper.

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You think?

New commenter androgenous says, “I think we are getting a little ahead of ourselves by dismissing Calleja. Rehearsals have been long at the MET and I would presume that if Calleja was found to be inadequate they would have thrown him out or at least had a better replacement.” 

By 32 comments

Lend me a tenor

La Cieca hears that bodacious Bryan Hymel will make his Royal Opera debut in June as Don Jose, jumping in for an ill (but recovering) Marcus Haddock. Two months before, Hymel will sing his first Énée for Netherlands Opera under the baton of John Nelson in a production by Pierre Audi.

By 79 comments

The Man with the Golden Ear

The amazing acute hearing of Anthony Tommasini detects an improvement in the acoustic of that place they used to call the New York State Theater, in fact, he’s willing to commit that the sound is “considerably better than it used to be.” Which is pretty fucking impressive, considering that the last time TT heard an […]

By 24 comments

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