Questo e Quello

Housekeeping: the art of conversation

La Cieca has heard a few complaints that the “threaded” comments format (you know, “2, 2.1, 2.2, 2.2.1,” etc.) can be difficult to untangle for occasional visitors. While we’re not quite up to unthreading the comments, we do want to keep the cher public happy. So what do you think about the following options for […]

By 54 comments

Brits blow it again

A drag queen friend of La Cieca’s — long before she was La Cieca — used to have an expression she to describe the terminally inept. The queen would say, “That guy could screw up a blowjob.” By which she meant, of course, receiving a blowjob, i.e., just sitting there, or standing there or whatever.

By 87 comments

Peak performance

On this upcoming otherwise dreary Tuesday afternoon, La Cieca hopes the cher public will all be figuratively glued to their PCs and Macs for a live web telecast of Werther from the Opéra-Bastille.

By 21 comments

Featuring that miracle of the age, electric light

In Zurich, the 20th century has apparently never ended. Opening on Thursday, a “revival” of Nabucco conducted by Nello Santi, directed by Jonathan Miller, and starring Maria Guleghina (Abigaille), Juan Pons (Nabucco) and Carlo Colombara (Zaccaria). Unfortunately, budget constraints prevent us from hearing the Fenena of Agnes Baltsa…

By 83 comments

Now it is my turn to chat

Could there be any more “parterre” a way to spend a Saturday afternoon than listening to a broadcast from half a century ago of what must surely rank among the queerest operas ever written? Don’t bother to answer that, it’s a rhetorical question, and while we’re on the subject, you do not know how to […]

By 77 comments

Diversifying

“In two Verdi operas per formed less than a week apart, legendary tenor Plácido Domingo revealed that, as a conductor, he makes an OK baritone.” Our Own JJ reviews Simon Boccanegra and Stiffelio at the Met. [NYP]

By 41 comments

Ophelia’s Posies

There’s something happening at Zankel Hall. Lieder recitals are not what they used to be. Christine Schäfer threw us for a loop Wednesday night in a recital program juxtaposing just two composers – George Crumb and Henry Purcell – who have what, exactly, in common?

By 17 comments

And the Regie you rode in on

La Cieca admits the Regie quiz candidate from a couple of weeks ago was something of a ringer as it was a new work, and a children’s opera at that. So it’s only reasonable that none of you guessed it was Antonia und der Reißteufel, as performed at the Vienna Volksoper. (Duh!)

By 29 comments

Dark side of the moon

Gotham Chamber Opera presented Haydn’s Il Mondo della Luna on Tuesday evening at the Museum of Natural History’s Hayden Planetarium, in a production that took advantage of the museum’s NASA constellations and a multitude of other more economical yet impressive stage and lighting effects. Despite cramped quarters and inhospitable acoustics, the company made a strong […]

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First, do no Haïm

According to the Opéra national de Paris website, “Le retrait d’Emmanuelle Haïm de la production fait suite au constat réciproque, au terme des premières répétitions, que le temps de travail nécessaire pour faire converger son approche artistique et celle de l’orchestre était incompatible avec les contraintes de programmation de l’Opéra national de Paris.”

By 16 comments

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