I checked back in on the Met’s revival of Ariadne auf Naxos yesterday, after a messy first night one week ago that left much to the imagination. Tenor Lance Ryan had been sick that night, and the cover who took his place was not much healthier, throwing the whole cast into a panic mode that […]
UPDATE: A press release has just gone out announcing “The Metropolitan Opera and the English National Opera (ENO) will co-produce a world premiere production of composer Nico Muhly’s first opera.
La Cieca hears that the planned Decca recording of Giulio Cesare, to be based upon live concert performances this week in Paris, has been canceled.
“People approach me now and say things like, ‘We loved your hair last week, but the jacket the week before was even better’.” [Wicked Local Norwell]
This one’s not a quiz, because the concept is so elegantly obvious: Das Rheingold as an episode of Baywatch, with the Nibelung’s anvils replaced by a handier set of percussion instruments.
The legendary Russian mezzo-soprano has died after a brief illness. She was 85.
Rumor has it the NYT will do at least five full-time hires and bring in another half-dozen or so dedicated freelancers to provide in-depth coverage of the artistic event of of the decade: next summer, Leon Botstein conducts Franz Schreker. [Bard Summerscape]
“To Kettles Yard in Cambridge for the premiere of a new song cycle by Richard Baker, performed by baritone Christopher Purves and pianist Andrew West. Having started off in Harvey and the Wallbangers, Purves is now a rising British operatic star: he will sing Beckmesser at Welsh National Opera alongside Bryn Terfel in Die Meistersinger […]
The arts journalist La Cieca would like be when she grows up, Zachary Woolfe, continues his analysis of Peter Gelb‘s Met tenure — now all the more interesting since Joe Volpe has returned to the fold. [Observer]
Are you ready for a competition, cher public? Well, get ready to don your lexicographer’s caps, because this one is all about the words.
La Cieca’s old, old, old friend Dorothy Bishop has revived and revised her hilarious Sarah Palin show, now entitled “A Sarah Palin Presidents’ Day Spectacular,” Thursdays in February beginning the 11th at NYC’s Cafe Iguana.
UPDATE: A spokesman for Anna Netrebko just has informed La Cieca “Anna is not pregnant.” An Austrian website thie morning reported the rumor that Anna Netrebko is expecting again. [OE24.at]
Like Liza Minnelli at the Palace or Nomi Malone in Goddess, Renée Fleming‘s Thaïs is better understood as diva event than Gesamtkunstwerk. It’s an opportunity to watch a star lady do her voodoo in a work that exists largely to showcase her glamour and appeal.
“A German, a Peruvian and a Kiwi walk into an American theater and start speaking French: that sounds like the premise of a joke, right?” Our Own JJ reviews La fille du régiment at the Met.
Congratulations LogeLizard for so adeptly pinpointing Manon Lescaut as the solution to our most recent Regie quiz. The production was by Graham Vick for the Teatro la Fenice, and we have a glimpse of this regie in action after the jump.
The 1990s never ended, it seems. Joe Volpe back at the Met, and his one-time sidekick Alberto Vilar back in the news. The Felonious Philanthropist, donor of abut $12 million to the Met during Volpe’s tenure, was sentenced yesterday to nine years in prison for such charges as securities fraud, wire fraud and money laundering. […]
La Cieca welcomes cher plebians and cher patricians alike to a chat during this afternoon’s Met broadcast of Simon Boccanegra. The performance begins at 1:00 PM.
La Cieca preens proudly to present a peerless pair of protégés (left to right) Squirrel and Maury D’Annato. The bromancers attended (or one should say “took in”) last night’s Ariadne auf Naxos at the Met, and as of early this afternoon they were still deconstructing.
Angela Gheorghiu will not sing Carmen at the Met this season. Says the diva: “To make so important a debut as Carmen, I want to be as prepared dramatically as I am musically. Therefore, I will postpone my role debut until a later date when I can work intensely with the Richard Eyre production.” Kate […]
“Maybe this bold staging was a little overwrought. But when you have Ms. Garanca as Carmen, why not?” Anthony Tommasini offers an object lesson in the art of Criticism as Starfucking.
“Joseph Volpe, who served as the Met’s general manager from 1990 to 2006 and authored a memoir about the experience called The Toughest Show on Earth, has been hired by Mr. Gelb, his successor, to represent the company in upcoming contract negotiations with its three major labor unions.” [New York Observer]
La Cieca hears that Lance Ryan, scheduled to make his Met debut tonight in Ariadne auf Naxos, is indisposed. Subbing as Bacchus is Michael Hendrick.
Which sour face has suddenly reappeared at the Met because the board wants the toughest possible representation during upcoming union negotiations?
“Director Manfred Schweigkofler conceives a new production that pits the Capulets and Montagues against one another as dueling fashion houses. Against a backdrop of models, paparazzi and high style, Romeo and Juliet’s love for each other unfolds to its deadly conclusion.” [Opera Company of Philadelphia]
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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