La Cieca
“Local favourite, bass Robert Pomakov was an energetic Bottom…” [via Toronto Star]
Twice the negativity from La Cieca apparently works out to something positive, or at least an affirmation of the status quo. Which is to say, according to a source fairly close to the Met, the Robert Lepage production of the Ring is still on. The less than rapturous reception last week at the presentation to…
Those of you who have been following the AGMA/NYCO rowdydow may be interested to hear that the labor union is also in touch with its members in regard to attempts at cost-cutting at the Met. La Cieca has learned from an AGMA member that Peter Gelb has recently written a letter to Met artists asking…
La Cieca has managed to get her hands on some top-secret rehearsal footage of Robert Lepage‘s Ring production. No wonder Peter Gelb wants to keep this under wraps!
“Garanca gave us all the notes, but none of the volts.” Our Own JJ reviews the Met’s revival of La cenerentola in the New York Post.
La Cieca was listening to Jon Frederic West singing the Forging Song just now, you know? And she was curious about JFW’s current schedule, so she clicked on his page on the Guy Barzilay Artists Management page… and heard the Forging Song in canon!
Natalie Dessay crosses over with Michel Legrand. [kml_flashembed movie=”http://www.youtube.com/v/x7VyXKAvNV0″ width=”425″ height=”350″ wmode=”transparent” /] This clip is one of a number of “Perle Nere” selections (including some classic filth) to be found on YouTube channel The Cucumber Masked. (For the record, your doyenne will state that she thinks the inclusion of Rolando Villazón material at this…
A crestfallen member of the cher public forwards to La Cieca this disheartening announcement from John Banta, Director of Special Events for the Met: Thank you for your interest in attending the Metropolitan Opera’s Sneak Peek of the New RING Production on Friday, May 8th at 3:15pm. Unfortunately, due to a scheduling conflict, we have…
La Cieca hears that John Relyea has been named the recipient of the fourth annual Beverly Sills Artist Award for young singers at the Metropolitan Opera. The bass was presented with the accolade in his dressing room last night before his performance of Rossini’s La Cenerentola.
Gutsy Gary Lehman just jumped into the Met’s Walküre in mid-performance, subbing for an ailing Plácido Domingo. La Cieca’s spy on the scene reports that Domingo sang the line “Tief in des Busens Berge glimmt nur noch lichtlose Glut” and exited stage left. Adrianne Pieczonka then entered from right with her line “Schläfst du, Gast?”…
Earlier today, NYCO’s George Steel fired back in what is apparently escalating into a war of words with AGMA honcho Alan Gordon. In an email to “the [New York City] Opera family” obtained by parterre.com, Steel seeks “to address [AGMA’s] misleading statements” while reminding AGMA members that he and NYCO “remain committed for our part…
[kml_flashembed movie=”http://www.youtube.com/v/5MXWXJTr9Uw” width=”425″ height=”350″ wmode=”transparent” /] La Cieca understands that Francesca Zambello is very smart about things like myths and technology and conspicuous consumption and disempowered women. But would totallly kill her to get an independent queer eye to take a quick look at the clothes in her new Siegfried production? Is there any Heldentenor…
Don’t go saying George Steel‘s opera company is broke, you hear?Â