La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

Rodelinda warrior Rodelinda warrior

Ardent, astonishing, animated Anthony Roth Costanzo has just unveiled the music video for “Vivi, tiranno.”

Escape from ‘New York’ Escape from ‘New York’

What it boils down to is the author flaunting his anti-racist bona fides by mocking Anna Netrebko based on her national origin.

Felonthropist sprung Felonthropist sprung

According to Francophobe Norman Lebrecht, the ex-con plans to attend an opera about cannibalism.

Già dell’Apocalisse appariscono i segni Già dell’Apocalisse appariscono i segni

Ryan Speedo Green will sing Colline in tonight’s performance of Puccini’s La Bohème.

Diamonds, Daisies, Snowflakes, Rowley! Diamonds, Daisies, Snowflakes, Rowley!

She’s everything that every girl should be!

Come to me my melancholy diva Come to me my melancholy diva

“What emerges from this handsome but sentimental film is a portrait of the artist in decline, cocooning herself in defensive victimhood.

Requiem for a dream Requiem for a dream

A live telecast of Die Tote Stadt from the Berlin Komische Oper!

Broadcast: Aida Broadcast: Aida

Come back to Kohl Mountain with Anita Rachvelishvili as well as the aforementioned Anna Netrebko in a live web broadcast of Aida from the Met Tuesday night at 7:25.

“There’s one lady barber that made good” “There’s one lady barber that made good”

The Met’s new production of Samson et Dalila (not pictured) grabbed the most attention last month.

Ah! je vais annuler Ah! je vais annuler

Our Own JJ (not pictured) is a feeling a bit tuckered by the whirlwind of the Met’s opening week, so “parterre saturday afternoon” is pre-empted today.

Something in the hair tonight Something in the hair tonight

La Cieca has just heard that Kristian Benedikt is singing the role of Samson at the Met this evening.

“Divinités du Styx, Can You Hear Me?” “Divinités du Styx, Can You Hear Me?”

How Glucky can you get?

Broadcast: Samson et Dalila Broadcast: Samson et Dalila

Where will the elite meet? Why, at the Met for the opening night premiere of Samson et Dalila, of course!

Je viens célébrer la victoire Je viens célébrer la victoire

What do the cher public want to hear this fall? According to last week’s polls, Samson et Dalila and Jonas Kaufmann.

The vergin queen The vergin queen

Legendary diva Joan Sutherland in her “breakthrough” year of 1961: a live performance of I puritani from Palermo in 1961.

Terror in the aisles Terror in the aisles

“To be fair I think it was only on one screen. . . . And more importantly I’ve seen it and it’s terrible.”

Mon cœur s’ouvre à sa voix Mon cœur s’ouvre à sa voix

A “spy” unaffiliated with parterre box whispers to La Cieca that yesterday’s dress rehearsal of Samson et Dalila at the Met was sung by Nancy Fabiola Herrera.

Huge disappointment Huge disappointment

“Due to illness, Bryan Hymel will be replaced by Yosep Kang in the role of Raoul de Nangis.”

Better call Fall Better call Fall

A gaggle of our parterre critics (not pictured) had what the kids call a “kiki” recently and “spilled the tea” (as the middle-aged folks say) about their greatest expectations for the New York fall season. 

My rare Lady My rare Lady

parterre saturday afternoon presents Leyla Gencer in an opera she really should have done far more often, Verdi’s Macbeth.

Sunday at the Met with Peter Sunday at the Met with Peter

Yet once more again Peter Gelb has done the impossible: starting in the 2019-2020 season the Met will offer regular Sunday matinees. And the season will extend into early June!

Divas profundis Divas profundis

Prima donnas Reneé Fleming and Julianne Moore demonstrate the philosophizing skills for which sopranos are famous.

Dear white people Dear white people

America’s diva Renée Fleming belts out “Plus blanche que la blanche hermine.”

Judge not, lest ye be judged Judge not, lest ye be judged

A rare if not downright practically nonexistent live recording of Shirley Verrett‘s Amneris is but one of the highlights of today’s parterre saturday afternoon, starting at 2:00 PM.