Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Just when you thought it was impossible to lose any further respect for Francesca Zambello, the director (and, so rumor has it, instigator of beefing up the rapey content) of the fiasco opera Two Women has now announced, “I would not stage a rape scene in an opera ever again…. It makes too much of the audience too uncomfortable. As directors we can convey the atrocities of the world, past and present, by using images and dramatic situations, but we must use nuance.”
This bit of sniveling careerism (hey, somebody has to keep San Francisco Opera on the spiral to utter mediocrity after David Gockley retires!) is the only false note in an otherwise most thoughtful essay on the use of rape as a dramatic device in opera by the always eloquent Micaela Baranello.
(To look on the bright side, it does seem that Zambello has now disqualified herself from directing Don Giovanni or Tosca ever again.)
La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.