In a startling example of casting against type, protean singer Cecilia Bartoli has agreed to take on the most demanding role of her career in La regina della meschina, an operatic version of the life of Leona Helmsley. (“Voice From the Past Becomes an Obsession” in the New York Times.)
In a startling example of casting against type, protean singer Cecilia Bartoli has agreed to take on the most demanding role of her career in La regina della meschina, an operatic version of the life of Leona Helmsley. (“Voice From the Past Becomes an Obsession” in the New York Times.)
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