“No one could doubt the sincerity of Mark Morris‘ admiration for the late mezzo-soprano Lorraine Hunt Lieberson, who was to have collaborated with him on the Metropolitan Opera’s new staging of Gluck’s Orfeo ed Euridice. However, the opening night performance of this production (May 2) did not convince me that the choreographer can channel this sincerity into meaningful stage direction.” JJ‘s take is in Gay City News.

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parterre box, “the most essential blog in opera” (New York Times), is now booking display and sponsored content advertising for the 2023-2024 season. Join Carnegie Hall, Lincoln Center, Warner Classics and many others in reaching your target audience through parterre box.

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