“No one could doubt the sincerity of Mark Morris‘ admiration for the late mezzo-soprano Lorraine Hunt Lieberson, who was to have collaborated with him on the Metropolitan Opera’s new staging of Gluck’s Orfeo ed Euridice. However, the opening night performance of this production (May 2) did not convince me that the choreographer can channel this sincerity into meaningful stage direction.” JJ‘s take is in Gay City News.