Opera from a certain point of view. The best opera magazine on the web. Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Rolando Villazon says he’s willing to do nudity, but only if it’s called for in the story of the opera. Might La Cieca hope that such a plot-driven rationale be found to get budding hunkentenor Stephen Costelloto strip off during OONY’s Guglielmo Tell this Sunday? Well, perhaps not. But (so La Cieca heard at the recent Liciathon) Costello sounds perfectly spectacular even when fully clothed, and surely, nudity or no nudity, will be a standout in the cameo role of the Fisherman. So La Cieca is willing to compromise: how about jeans and a ripped wifebeater? All right, with wading boots, that’s something a fisherman might wear. . .
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.