“Rolando Villazón makes an exciting role debut as the lovable lout Papageno.”
“Die Zauberflöte is an opera!” “No, it’s the first musical comedy!”
“Paul Appleby will sing the role of Don Ottavio in this season’s September and October performances of Mozart’s Don Giovanni, replacing Rolando Villazón, who has withdrawn due to illness.”
When Norman Lebrecht is declaring on an almost daily basis that classical music is dead, it’s perhaps heartening that four of today’s prominent tenors have recently released what might be called fluff/vanity albums.
UPDATE, Tuesday, 7:45 AM: The Met sent out a press release at 1:27 AM New York time today announcing major changes to its roster for the tour of Japan this month. La Cieca has revised the following gossip item (which appeared at 11 PM last night) to reflect the Met’s confirmations.
“Rolando Villazon brought in renowned mime and clown Nola Rae to help out with his directorial debut, Werther, which opened tonight in Lyon.” [Nouvel Observateur via Intermezzo]
As we look forward to New Year’s Eve and to the gala opening of Willy Decker’s La Traviata at the Met, it seems fitting to look back—by way of the official, live, DVD recording of the production’s sensational world premiere at the Salzburg Festival in 2005—to get some sense of what’s behind all the hype.…
Congratulations to tenor Stephen Costello, who today was officially awarded the ceremonial title of Villazóneinspringer at the Vienna State Opera. No, actually, he’s jumping into two performances of La boheme, replacing Rolando Villazón, on September 6 and 9.