Okay, it’s only a couple of preview clips, but La Cieca has to say she’s bewildered by what seems to be some cross-repertoire meta-direction at the Met, especially as concerns Kristine Opolais (not pictured). Read more »
No guarantees, because we are talking about Russian TV technology here, but apparently at 2:00 PM today there is a video stream of Manon Lescaut from the Bolshoi starring Anna Netrebko and Yusif Eyvazov!
La Cieca’s spies in Dresden (oh, they are legion!) report that there were HD cameras aplenty in the Semperoper at Wednesday night’s performance of Lohengrin, i.e., the one after the free “plazacast” last Sunday. This fact strongly indicates some kind of commercial release of the video, whether on a streaming service such as ARTE or else on disc for DGG (a label at which Anna Netrebko, Piotr Beczala and Christian Thielemann all have contracts, conveniently enough!)
Of all films to be adapted into operas, 1967’s Berserk! seems a most unlikely choice.
Since our usual (and always welcome) catalog of webcast radio opera is temporarily interrupted this week (get well soon, Betsy!), La Cieca offers as an alternative a video presentation that will become available at 2:00 PM EST (20:00 CET): Enescu’s Oedipe, from La Monnaie/De Munt in Brussels.
As Groucho Marx would say, this is certainly a way of beating the heat; it’s also a a way of creating it. Well, all right, it’s actually something Dick Cavett said that Groucho might say, but the point stands that at 2:00 PM EDT the Opéra Royal de Wallonie production of Salomé will be webcast live.
“Aida am Rhein,” an outdoor on-location live presentation of Verdi’s opera, with the cast of the current Calixto Bieito production in Basel. (So far as I can tell, Bieito didn’t direct the film or the outdoor spectacle, but presumably some of the dramatic ideas of his production were carried over into this performance.)
Getting the “screaming heads” treatment on CNBC is not good news for Peter Gelb.
Articulate, awe-inspring, alliterative administrator The Man of Steel spoke yesterday to New York One, defining his vision for the mission of the New York City Opera: “Championing new repertoire and discovering old repertoire. And particularly promoting American operas and American opera singers and providing visionary new productions of standard repertoire. So it’s a very clear mission,” said Steel. The ingenious intendant emphasized that he does not intend to “downsize” productions, stating, “Whether that’s dark and disturbing or flamboyant and flashy, we want to make sure that it’s an intense and wonderful theatrical experience.” He then added, “Welcome to Doug Henning‘s […]