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  • Sempre liberal: Whoa – that Boccanegra. Is that the original version? I’m very confused and... 9:32 PM
  • coloraturafan: I really have nothing to add to the Meade versus Mosuc debate, except that I love Mosuc and... 9:04 PM
  • zinka: July 20, 1914 Died too young LOVE HIM 8:40 PM
  • zinka: httpv://youtu.be/Y C7CwEFQNQE 8:39 PM
  • Evenhanded: Well. Cocky: First off, thank you for clarifying in regard to the length of Miricioiu̵... 8:27 PM
  • phoenix: httpv://www.youtub e.com/watch?v=zdph dKwLOrY 8:06 PM
  • La Cieca: Anyone who had the slightest association with Stritch or for that matter anyone who observed her... 7:33 PM
  • MontyNostry: What a generous soul you are, phoenix. 7:24 PM
  • phoenix: I am sure what you say is true since only a prima donna would know about these things … 7:16 PM
  • phoenix: Piscitelli (Caterina) & Enea Scala (Gerardo, another last minute substitute) sounded both... 7:11 PM

West side non-story

La Cieca hears that the Met’s planned production of West Side Story in the 2017-2018 season has been shelved. No word yet on how (or whether) the company will salute the centennial of Leonard Bernstein‘s birth.

The Met: Can it be saved?

Short answer: yes. But let’s begin by dismissing a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.

The greater New York Metropolitan area has 20 million people. 54.3 million tourists visited New York City in 2013. Many millions of people attend theater performances in New York City each year. Those numbers suggest to me that with an astute artistic approach, enhancements to the experience of attending the Met, outreach, marketing, ticket pricing, and a more sensible budget, the Metropolitan Opera should be able to thrive while producing 200 or more performances per season.

So what, specifically, will bring an audience to the Met for all those performances? Read more »

The Met: what’s really wrong?

The 2012-13 season at the Metropolitan Opera was a financial disaster, with the company taking in only 69% of potential total box office revenue—a troubling 13 percent decline from the previous season and the lowest box office percentage in over a decade. Thanks to discounting, the Met did manage to sell 79% of total seats but that, too, was another low.   Read more »

sonnambula_preview

After the thaw

Our Own JJ (not pictured) offers his recommendations for 10 opera and classical music events worth hearing this spring.

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cryptkeeper

The lovely bones

Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”

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anna_jonas

That’s entertainment!

The highlight of the Bayerische Staatsoper’s 2014-2015 season is a new production of Manon Lescaut featuring Anna Netrebko and Jonas Kaufmann, directed by Claus Guth.

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lockout

Labor days

AGMA’s Alan Gordon warns his membership of a possible lockout by the Met if contract negotiations break down this summer.

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ciociara

Mamma mia

Goddess Anna Caterina Antonacci takes the “Sophia Loren” starring role in La Ciociara, a new work premiering at San Francisco Opera in June, 2015.

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netrebko_lady

But screw your courage to the sticking-place

La Cieca has it on very good authority that the 2014-2015 Met season will include a revival of Verdi’s Macbeth featuring Anna Netrebko.

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Fidelio

Von Kopf bis Fuss

La Cieca is happy to present the following readymade blind item.

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