Headshot of La Cieca

Cher Public

  • Lohengrin: Non curo! from Incoronatione diPoppea ismy favorite! Another from Manon Lecaut: Donna non vidi... 3:40 AM
  • antikitschychick: LMAO this is hilarious zinka. Thanks for sharing :-). 3:31 AM
  • NPW-Paris: I tried some of my Italian learnt from Monteverdi’s Orfeo on Roman friends. It made them... 3:14 AM
  • NPW-Paris: Aaaaargh bis : champ. 3:12 AM
  • NPW-Paris: Aaaaargh “champs de blé” – whenever will we be allowed to edit here? 3:09 AM
  • NPW-Paris: Well I’ve always thought knowing Bluebeard’s Castle would be handy for complaining to... 3:08 AM
  • MontyNostry: I didn’t listen to the entire Figaro, but the conducting was fatally turgid. Bill, I saw... 2:43 AM
  • UpB7: I heard yester-day’s radio broadcast of the Met’s “Nozze di Figaro”. It sounded... 2:37 AM
  • zinka: I had posted on “learning a language through opera.” If all you know is what you know from... 1:51 AM
  • antikitschychick: OMG so I finally watched “A Night at The Opera” by the Marx brothers and... 1:48 AM

Battle of Broadway

La Cieca hears that there will be a little quasi-operatic activity on the Great White Way a year hence. Fall 2015 is the target date for an as yet untitled one-woman show based on the life of Kathleen Battle, scheduled to star Oscar winner Lupita Nyong’o. (And before you ask, no, the playwright is not Terrence McNally!)

Seligsten Paar

Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.” [Kurier]

“It’s scary, but what can you do?”

“Ms. Netrebko, 43, spoke about her willingness to take risks, her decision to sing more dramatic repertory, and some of the new roles she plans to tackle at the Met, disclosing that she would open its 2017-18 season singing the title role in Bellini’s Norma in a new production, and that she would tackle Verdi’s Aida the following season.” [New York Times]

Gazing into the future

When she has sung her songs

Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season.

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Lock Stock

The sound of silence

This past week of contract negotiations at the Metropolitan Opera has been notable for the absence of any new PowerPoint presentations or fustian proclamations.

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amsterdam

West side non-story

La Cieca hears that the Met’s planned production of West Side Story in the 2017-2018 season has been shelved.

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The Met: Can it be saved?

Short answer: yes. But let’s begin by dismissing the a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.

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lobby_500

The Met: what’s really wrong?

The Met’s financial challenges are not meteorological, demographic, or cyclical; they are structural.

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sonnambula_preview

After the thaw

Our Own JJ (not pictured) offers his recommendations for 10 opera and classical music events worth hearing this spring.

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cryptkeeper

The lovely bones

Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”

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