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  • steveac10: This is what’s being lost. If this were Renee and Nathan last week, Parterre would be giving... 2:19 AM
  • ianw2: but saddling him with a shit staging built around incompetent big names and convincing him never to... 1:54 AM
  • ML: … but saddling him with a shit staging built around incompetent big names and convincing him never... 1:40 AM
  • ML: The subject, after the “as a tenured professor” clause, is SANDOW, not m. croche or... 1:34 AM
  • Constantine A. Papas: So did I, except for Grigolo. 12:31 AM
  • Clita del Toro: I watched about half of The Requiem as I didn’t know it was on. I did enjoy it. 12:04 AM
  • 98rsd: Am I missing some key fact? Is there a reason an orchestra member SHOULD be paid more “than,... 12:00 AM
  • steveac10: Who said anything about outsourcing? I said there are innumerable qualified applicants for that... 11:56 PM
  • Constantine A. Papas: To change the subject: did anyone watch Verdi’s Requiem with LA Philharmonic on... 11:56 PM
  • steveac10: I said nothing about glamour. I also think you are underestimating the pool of talent that would... 11:48 PM

West side non-story

La Cieca hears that the Met’s planned production of West Side Story in the 2017-2018 season has been shelved. No word yet on how (or whether) the company will salute the centennial of Leonard Bernstein‘s birth.

The Met: Can it be saved?

Short answer: yes. But let’s begin by dismissing a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.

The greater New York Metropolitan area has 20 million people. 54.3 million tourists visited New York City in 2013. Many millions of people attend theater performances in New York City each year. Those numbers suggest to me that with an astute artistic approach, enhancements to the experience of attending the Met, outreach, marketing, ticket pricing, and a more sensible budget, the Metropolitan Opera should be able to thrive while producing 200 or more performances per season.

So what, specifically, will bring an audience to the Met for all those performances? Read more »

The Met: what’s really wrong?

The 2012-13 season at the Metropolitan Opera was a financial disaster, with the company taking in only 69% of potential total box office revenue—a troubling 13 percent decline from the previous season and the lowest box office percentage in over a decade. Thanks to discounting, the Met did manage to sell 79% of total seats but that, too, was another low.   Read more »

sonnambula_preview

After the thaw

Our Own JJ (not pictured) offers his recommendations for 10 opera and classical music events worth hearing this spring.

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cryptkeeper

The lovely bones

Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”

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anna_jonas

That’s entertainment!

The highlight of the Bayerische Staatsoper’s 2014-2015 season is a new production of Manon Lescaut featuring Anna Netrebko and Jonas Kaufmann, directed by Claus Guth.

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lockout

Labor days

AGMA’s Alan Gordon warns his membership of a possible lockout by the Met if contract negotiations break down this summer.

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Mamma mia

Goddess Anna Caterina Antonacci takes the “Sophia Loren” starring role in La Ciociara, a new work premiering at San Francisco Opera in June, 2015.

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netrebko_lady

But screw your courage to the sticking-place

La Cieca has it on very good authority that the 2014-2015 Met season will include a revival of Verdi’s Macbeth featuring Anna Netrebko.

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Fidelio

Von Kopf bis Fuss

La Cieca is happy to present the following readymade blind item.

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