Cher Public

  • Donna Anna: We were in Colorado when Cincinnati Opera offered Fidelio with Thomas as Florestan and Goerke as Leonora. The reports were on... 6:12 PM
  • Quanto Painy Fakor: The realization of “Ihr, da oben!” / “Was willst du dort unten?” Pfui! 6:08 PM
  • Jungfer Marianne Leitmetzerin: Cami, going back to your first question, I have now had some time to listen to some bits of the... 5:53 PM
  • Jungfer Marianne Leitmetzerin: I guess adding the “v” to a URL only works with YouTube, so the link should be: http://www.me... 5:35 PM
  • Camille: That’s ATTILA, you dumme Kuhe. 5:35 PM
  • Jungfer Marianne Leitmetzerin: Indeed, the complete “Zaide” ; is available on Medici TV: httpv://www.medici .tv/#!/mozart-z... 5:34 PM
  • Camille: Patrick dear–first things first–I̵ 7;m so sorry to read about that brown and yellow glow in the skies over L.A.... 5:33 PM
  • kashania: Wow, Barton is terrific here. She just had a Toronto recital a few days ago that I had to miss. 5:30 PM

Wrong by wrong

The board of La Scala voted today to oust incoming general director Alexander Pereira at the end of his first season amid allegations of a conflict of interest. [AP]

O brother, wired art thou?

Shocker of the century! The New York Times reveals that Met singers are miked!* Read more »

The burning Ghars, or Ghats, or whatever they are

Lots of chatter in the British press about the Rowley rowdydow at the Garden, but what interests La Cieca the most is the pictorial evidence that Laurent Pelly‘s production of Robert le Diable looks exactly like a biscuit box.

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Beating time

So meandering and ragged a reading would be alarming at a first rehearsal; for a first night, it was a scandal.

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nikitin

Murder ink

Evgeny Nikitin has withdrawn from the Bayreuth Festival’s new production of Der Fliegende Holländer after a German television program revealed the bass-baritone has a swastika tattoo.

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There will be blood

The Teatro dell’Opera di Roma is “considering actions to be taken to protect the image of the Foundation of its workers and their audiences” following Fabio Luisi‘s cancellation of his participation in Elektra at that theater in order to make time to help clean up the Levineshchina in New York. [Teatro dell’Opera di Roma]

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Aftermath the ball

Lovely Marina Poplavskaya, arriving at the Mercedes T. Bass Grand Tier for dinner following the opening night of La traviata, demonstrates that the previous Franco Zeffirelli production has not gone to waste. The latter-day Scarlett O’Hara‘s motto: “Reduce Reuse Recycle!”

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A Noisy Place

Two versions, and it’s hard to say which one is more revolting, of one of the least savory moments in the life of Leonard Bernstein.

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Mehta: “Bondi is shameless”

During rehearsals for the upcoming Rigoletto from Mantova, Zubin Mehta attacks Sandro Bondi, Berlusconi’s Minister of Culture. Mehta is angry, and by his own admission, he becomes “cattivo”, nasty, when speaking about the financial cuts of the Berlusconi government in the opera houses.

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There will be blood

As perhaps you know, if there’s anyone Norman Lebrecht hates more than opera singers and superstar conductors, it’s artists’ managers. So imagine his glee when he got his mitts on an email “leaked… in the dark of night” detailing “the balance of terror that prevails between a soloist and the person who supposedly has his or her best interests at heart…. the stuff of nightmares.” 

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