By La Cieca 
Leonard Slatkin explains to the Detroit Free Press that everything was going great guns with the Met Traviata rehearsals until he played stage director, telling Alfredo (James Valenti) to take visual focus in the final seconds of the opera.
After that, he claims, Angela Gheorghiu (intentionally?) started “singing flat, missing entrances and distorting phrases beyond recognition.” Gheorghiu, The Met, and Thomas Hampson all studiously avoid replying to the assertion.
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
Get our free weekly newsletter delivered to your email.
Ahead of a special boozy, bawdy Valentine’s Day concert, artistic director of Opera Lafayette Patrick Quigley speaks with soprano Maya Kherani about her journey from MIT to rising American Baroque star.
Celebrate love in all its guises with tender ballads, amorous duets, cheeky verses, and bawdy drinking songs plus food, cocktails and wine.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
