I can’t imagine anything more anxiety-inducing than being put in at last-minute to sing a role in a high-profile production at the Met.
By Harry Rose
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Karita Mattila’s Ortrud, taut conducting, and a remarkable debut emerge from Richard Jones’s dreary Lohengrin Konzept.
By Ben Miller
Soprano Iulia Isaev proved to be in just about every way a lovely Tosca.
By James Jorden
As if you needed an even more exciting reason to drop in for La Casa della Cieca this afternoon: last night’s Butterfly Kristine Opolais is jumping into the role of Mimi, subbing for an ill Anita Hartig for the broadcast and the HD.
By La Cieca