Now that the Met’s 2013-2014 season has been published and almost immediately discussed to death, La Cieca thought it would be amusing to do a bit of speculation about what lies ahead as we approach the middle of the decade. An assemblage of gossip and guesswork about the 2014-2015 season follows the jump, and won’t it be fun to look back on this post next February when the official announcement is made? Read more »
I’ve always had a certain affection for Roberto Alagna. When I moved back to NYC in 2007 the first opera performance I attended was a Romeo et Juliette with Alagna and Anna Netrebko. That was the performance that got me back into being a hard-core opera fan. Read more »
“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]
Of particular visual interest in last weekend’s Lohengrin (though not perhaps so tantalizing as Jonas Kaufmann‘s aristocratic bare feet, pictured above) is the very obvious change in the staging that was made between the antegenerale (in which Anja Harteros sang Elsa) and the telecast opening night.
Opera Orchestra of New York has announced their 2012-2013 season of only two performances.
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”
La Cieca has put her little grey cells to work and deduced that Opera Orchestra of New York will present two performances next season…
At tonight’s Faust performance, two events of note: René Pape, upon his re-entrance after the Jewel Song, ad-libbed the spoken line “Diamonds are a girl’s best friend.” The performance, a broadcast, was the basso’s final one of this production.) After this moment of comedy, drama followed at the curtain calls.