Says the Met press office: “Two rising young sopranos will make their Met debuts earlier than originally scheduled when they share the role of Gilda in Verdi’s Rigoletto later this fall, replacing Aleksandra Kurzak, who has withdrawn due to pregnancy. Russian soprano Irina Lungu will sing the role on November 11, 15, and 18, and Bulgarian soprano Sonya Yoncheva will sing the role on November 21, 27, 30, December 4, and at the December 7 matinee. Kurzak is expecting a baby this winter with her partner, tenor Roberto Alagna.” Read more »
“LA SCALA DE MILAN propose à Roberto une nouvelle production d’AIDA sous la Direction de Lorin MAAZEL ainsi qu’une nouvelle collaboration pour le futur. Roberto doit-il y retourner? Donnez votre avis.” [Facebook]
The celebration of 50 years of the Mostly Mozart Festival at Lincoln Center includes “The Illuminated Heart,” a theatrical fantasy of Mozart operas and ensembles featuring Christine Goerke, Ana María Martínez, Matthew Polenzani and Peter Mattei; plus staged concerts of Così fan tutte and Idomeneo. Tickets and more information are at MostlyMozart.org. Read more »
La Cieca hears that congratulations are in order to Aleksandra Kurzak and Roberto Alagna, who are expecting their first baby in February.
Some interesting programming in Avignon next season.
La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.
One quick way to warm up: Watching tenor heartthrob Roberto Alagna.
Of particular visual interest in last weekend’s Lohengrin (though not perhaps so tantalizing as Jonas Kaufmann‘s aristocratic bare feet, pictured above) is the very obvious change in the staging that was made between the antegenerale (in which Anja Harteros sang Elsa) and the telecast opening night.
Opera Orchestra of New York has announced their 2012-2013 season of only two performances.
La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”