“Götterdämmerung, the final installment of Lepage’s Ring, arrived in January, rounding out what must be considered a historic achievement. Pound for pound, ton for ton, it is the most witless and wasteful production in modern operatic history…. It’s an embarrassment that this catastrophically vapid spectacle is what New York has to offer to the world on the occasion of the Wagner bicentennial, which arrives next year.” [The New Yorker]
UPDATE: Philip Glass emerged from the Met tonight to read to the General Assembly (via mic check) the final lines from Satyagraha: “When righteousness/ Withers away/ And evil / Rules the Land /We come into being /Age after age/ And take visible shape /And move / A man among men/ For the protection/ Of good /Thrusting back evil /And setting virtue/ On her seat again.” Video of this speech (via The Rest is Noise) after the jump. Read more »
La Cieca (left) is delighted to congratulate dear Alex Ross (right), whose little column The Rest is Noise has been named #1 among Classical Music blogs, according to blogrank. In other family news, Our Own JJ (not pictured) reviews Caramoor’s Guillaume Tell in today’s New York Post.
“Perhaps we’ve seen too many commercials with toffs in penguin suits to accept the fact that operagoers are, in fact, a motley middle-class lot. And the Wagner audience is the motliest of all — emeritus professors sit side by side with Ring-loving schoolteachers, fanatic record collectors, neophyte opera mavens and that woman wearing a Valkyrie helmet.” Astute Alex Ross op-eds the Met’s season opener at the New York Times .
Dear Alex Ross (though he sure as hell didn’t like it) is not quite ready to join the “sky is falling” chorus. Opera being a delightfully paradoxical medium, this whole debacle left me in an upbeat mood. The Met is refusing to repeat itself and is seeking, by trial and error, a new theatrical identity. One or two meetings might be in order to determine how things went awry, and once Bondy is safely on the plane back home it should be relatively easy to devise new stage business to replace his lamer notions. The audience was, at least, paying [...]
La Cieca wants to give a quick “shout-out” (as the youngsters say, they tell me) to “critic, novelist and record-store clerk” Daniel Stephen Johnson, who on top of all that is not only one of our newest and nicest commenters, but a smart and sassy blogger in his own right. He writes somewhat in the style of a younger, more hirsute Alex Ross, which La Cieca means in the nicest possible way.
Cher Public