Cher Public

Our Own JJ

James Jorden (who writes under the names “La Cieca” and “Our Own JJ”) is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. He is the co-creator, writer and occasional wig stylist for “The Dozen Divas,” the long-running cabaret show starring the ineffable Dorothy Bishop. Currently he alternates his doyenne duties with writing a twice-weekly column on opera for the New York Observer.



Panache room

“In his more than 20 seasons at the Met, tenor Roberto Alagna has sung his way from one end of the Romantic opera repertoire to the other, from Nemorino to Radamès. But last night he found his most congenial and emotionally moving role yet, the part I wager he will be remembered for in decades to come: Cyrano de Bergerac.” [Observer]

A quiet girl

“Tatiana has developed into one of Netrebko’s very best roles, rich in light and shade of acting detail and showing off a warm, calm radiance in the voice. So much of opera thrives on sin, but in this opera—in which her character honors her marriage vows despite her love for another man—the soprano made a moving case for virtue.” [Observer]

Wig schlock

Despite the participation of venerable composer Carlisle Floyd, the only distinction Prince of Players can claim is as the worst drag show in Manhattan. [Observer]

Leading lady

“She not only sang the difficult leading role, she also directed the opera.”

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Women beware women

Prototype: Opera/Theatre/Now presented new works in which women were variously gang-raped, eviscerated and executed by firing squad.

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Comparisons are odious

One thing that is killing opera is the practice of critics’ comparing the singers they heard last night to dead or retired artists.

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Stone soup

“A case of histronic personality disorder a deux.”

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Mighty real

Anna Netrebko‘s artistry is both subtle and thrilling.

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The name game

“And what, after all, is this ‘love’ everyone keeps singing about and dying for?”

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Glister act

New York City Opera Renaissance’s Tosca “was opera at its most retrograde, an effort to recreate a golden age from a handful of tinsel.”

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