Headshot of La Cieca

Cher Public

  • m. croche: Perhaps we can stipulate that it is always harder to do something convincingly than to do... 12:20 AM
  • Batty Masetto: If this was supposed to be about iconoclasm, Barry has an odd way of explaining it. The... 12:18 AM
  • LT: I was there. Certainly a big success for him. First time hearing him live. Yes, it’s a big voice,... 12:10 AM
  • Camille: ORION! thanks a billion for all the reports!!! I can hardly wait to hear it on the 18th! GRAND... 11:56 PM
  • Camille: Just back from the Lucia. No fooling at all, a beautiful representation of the role of Edgardo. The... 11:54 PM
  • Belfagor: Well it is much easier to smash something down than to build something convincingly new. It... 11:51 PM
  • Porgy Amor: Well, the thing about Garanca — however she comes off as Carmen or Charlotte or whatever... 11:38 PM
  • m. croche: One of the best things you can do with an icon is to smash it to bits (non-violently, of course).... 11:12 PM
  • DeepSouthSenior: Thanks, -Ed. I still have a lurking suspicion that my grandson was more interested in The... 11:00 PM
  • Orion: “O Souverain, O juge, O père” Roberto Alagna (captured on 30/03/2015 – Opera... 10:52 PM

City of dreams

With issue #42a, “City of Dreams,” parterre box the queer opera zine returned at least temporarily to a rational numbering system. Somewhat less than rational, however, were that issue’s contents: La Cieca delights in Der Ring Gott Farblonjet at Show World; Manuela Haltertop thickens the plot of “All About Steve”; Dr. Repertoire answers in exhaustive depth questions from the cher public; John Yohalem introduces us to the concept of “Shamanic Opera-going”; and we hear reports of performances from Vienna to San Francisco courtesy of Dawn Fatale, Fils de Brahma and Gertie Dammerung. [Download Issue #42a]

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