Cher Public

  • armerjacquino: Verrett was a stunning-looking woman; no ‘don fatal’ discords there! 4:04 PM
  • Lohenfal: WCO, thanks for acknowledging the Parsifal premiere, but the date of the first performance was July 26, 1882. The second one was... 3:53 PM
  • Operngasse: I hope that this will fall into the “loverly lyrical” category: httpv://www.youtub e.com/watch?v=JEkE AaJFCOg I... 2:44 PM
  • Camille: She stepped up her intensity considerably in the “Töt erst sein Weib” section and I really enjoyed and might prefer... 2:28 PM
  • Orlando Furioso: I had never heard that about Georg & Claire, but it wouldn’t be out of character for him. Fortunately the... 2:11 PM
  • Camille: Just finishing Act I and Florestan making his appearance and can say with a sigh of relief that I’m very glad some of... 1:57 PM
  • kashania: Russell Thomas was an excellent Don José in Toronto a couple of months ago. He and Rachvelishvilli were on fire in the final act. 1:36 PM
  • Camille: “FaKeplace&# 8221;. Damn U autocorrect! 12:31 PM

City of dreams

With issue #42a, “City of Dreams,” parterre box the queer opera zine returned at least temporarily to a rational numbering system. Somewhat less than rational, however, were that issue’s contents: La Cieca delights in Der Ring Gott Farblonjet at Show World; Manuela Haltertop thickens the plot of “All About Steve”; Dr. Repertoire answers in exhaustive depth questions from the cher public; John Yohalem introduces us to the concept of “Shamanic Opera-going”; and we hear reports of performances from Vienna to San Francisco courtesy of Dawn Fatale, Fils de Brahma and Gertie Dammerung. [Download Issue #42a]

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