Cher Public

  • cgambol: Re: the Denishawn trained spear carrier. He delivers, he holds the delivery pose and exuent omnes. Is it high art or vaudeville?... 3:24 PM
  • Cicciabella: As NPW-Paris says, “going down” in European opera houses is the new mass orgy. 3:16 PM
  • RosinaLeckermaul: She gave some wonderful performances at the Met. I have particularly fond memories of her Suor Angelica. 3:16 PM
  • PCally: I have read it, I owned a used copy that recently fell apart. Soderstrom is really one of my all time favorites, I simply find her... 3:02 PM
  • figaroindy: The author says that happened “in later years” – the reference to 1896 was for a production of Faust with... 1:49 PM
  • JohninSeattle: What a great clip from Irene. Thanks Windy! Ms Cruz-Romo is a current point of some fascination for me… Time to check... 1:23 PM
  • NPW-Paris: It’s very popular in European productions, especially for coloratura passages. 1:22 PM
  • marshiemarkII: Messa you have a point there :-) Actually NPW you also have a point, there is a lot of it in this production, as even... 1:18 PM

City of dreams

With issue #42a, “City of Dreams,” parterre box the queer opera zine returned at least temporarily to a rational numbering system. Somewhat less than rational, however, were that issue’s contents: La Cieca delights in Der Ring Gott Farblonjet at Show World; Manuela Haltertop thickens the plot of “All About Steve”; Dr. Repertoire answers in exhaustive depth questions from the cher public; John Yohalem introduces us to the concept of “Shamanic Opera-going”; and we hear reports of performances from Vienna to San Francisco courtesy of Dawn Fatale, Fils de Brahma and Gertie Dammerung. [Download Issue #42a]

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