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Cher Public

  • overstimmelated: There were comments on the amplification and balance by tancredipasero in another thread... 2:40 PM
  • laddie: Paul Curran has done several productions at Santa Fe Opera, three of which I have seen, the best... 2:39 PM
  • bluecabochon: There are enormous speakers on either side of the Met’s proscenium for all to see, fwiw. 2:23 PM
  • rapt: Wow! Thanks so much for posting this truly illuminating– ;and touching, I think–articl e. 2:12 PM
  • La Valkyrietta: To illustrate the phrase “from the ridiculous to the sublime”. httpv://www.you... 1:41 PM
  • Vittelio Scarpia: Paul Curran, the director who will stage the new “La donna del lago” next year... 1:37 PM
  • La Valkyrietta: Dabrowski, Your question, “Is the Wagner “heavier” and appropriate only for dramatic... 1:32 PM
  • armerjacquino: Not sure ‘crossover&# 8217; is the right word. She performs all kinds of music but her... 1:31 PM
  • Hippolyte: The couple of times I’ve heard Jagde I thought he was monotonously loud and lacking in... 12:22 PM
  • la vociaccia: Correction: That crossover soprano they had playing the British dancer with the halter top... 11:49 AM

City of dreams

With issue #42a, “City of Dreams,” parterre box the queer opera zine returned at least temporarily to a rational numbering system. Somewhat less than rational, however, were that issue’s contents: La Cieca delights in Der Ring Gott Farblonjet at Show World; Manuela Haltertop thickens the plot of “All About Steve”; Dr. Repertoire answers in exhaustive depth questions from the cher public; John Yohalem introduces us to the concept of “Shamanic Opera-going”; and we hear reports of performances from Vienna to San Francisco courtesy of Dawn Fatale, Fils de Brahma and Gertie Dammerung. [Download Issue #42a]

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