June 2010
“If [Francesca] Zambello were a composer, she would surely be Meyerbeer.” [MusicWeb International]
A young opera fan is looking for advice.
[La Cieca welcomes the newest and most lissome member of the parterre espionage force, Mlle. La Taupe, who just last night invaded the first performance of San Francisco Opera’s La fanciulla del West.] UPDATE: The last act!
Congratulations to La Cieca’s old, old, old friend Wenarto on the occasion of his 1,000th video on YouTube!
The tuneful Peruvian was born June 9, 1891.
After the jump, a preview glimpse of Deborah Voigt and company in San Francisco Opera’s production of La fanciulla del West.
La Cieca has heard that, not to be outdone by Peter Gelb‘s discovery of hot young directors like Luc Bondy and Patrice Chéreau, NYCO’s George Steel is boldly leaping forward into the 20th century by signing up Peter Sellars for a series of productions. In other music news, everyone down at Danceteria is just wild…
A long-awaited DVD from the Met documents one of the great “42nd Street” episodes in operatic history: on December 20, 1980, a largely unknown Julia Migenes (or Migenes-Johnson, as she was called in those days) stepped in on a few hours’ notice for an ailing Teresa Stratas as the anti-heroine of Berg’s Lulu. A prodigiously…
It’s true, it’s true! Bernadette Peters and Elaine Stritch are going into A Little Night Music! The iconic pair will open in the show on Broadway on July 13. Note: autoplaying video and after the jump!
La Cieca’s faithful spies once again have done their jobs well! What you learned here a week and a half ago about refitting to the Met stage to accommodate the ginormous weight of the Lepage Ring set has finally made its way into the New York Times. Also (love him or hate him) you have…
The greatest week in the history of show business begins today in preparation for the Drop of That Album here in the USA, at this writing barely 15 hours away. In support of this release, Renée Fleming is making a whirlwind tour of personal appearances, including a command performance last night before President and Mrs.…
Which Hochdramatische will lay down her spear and shield during the summer of 2011 to take up firearms for a Berlin debut? (PS: Not the city, the composer.)
Market forces at work in a London music shop.
Leonard Slatkin explains to the Detroit Free Press that everything was going great guns with the Met Traviata rehearsals until he played stage director, telling Alfredo (James Valenti) to take visual focus in the final seconds of the opera.
Who could be more qualified than Loge to declare, “It just seems to be screaming Walküre to me.” The production doing all that screaming was by Barrie Kosky for the Staatsoper Hannover. La Cieca trusts you too, cher public, will scream — this time with delight — when you divine which opera is represented after…
This cheerful mug is an image from the trailer for La Scoopenda‘s laff-riot CD I Hope They Serve Beer in Hell or whatever it’s called. Video (which incidentally serves as an elegant proof of Dr. Repertoire’s Seventh Rule for Stage Directors) after the jump.
So, speaking of Jonas Kaufmann, who’s up for a chat during this afternoon’s webcast of Don Carlo at 1:00 pm? (Yes, I realize it’s not quite live, but it’s the most interesting offering La Cieca can see, and she received rapturous reports on the performance from a trusted colleague.) Details after the jump.
Maybe it’s just me, but every time I listen to well done French baroque music, my imagination flies to the opulent halls of Versailles. I fantasize about being amongst Louis XIV and his cohorts drunk on wine, good food, and better music, enjoying the life of a bon vivant. Few recordings have created this vivid…
A snippet of last week’s performance of Le Grand Macabre, after the jump. There’s more video plus details on next week’s broadcast of the Ligeti at nyphil.org.
Dawn Fatale (pictured) shares with us a horoscope:
Way back in 1998, a meticulous parterre contributor (pseudo) named Ortrud Maxwell (right), penned three exhaustive articles tracing cancellations and (especially) replacements in operatic recordings up to that date. La Cieca is delighted to republish this superb series in its entirety.
I have to confess to a certain bias: I adore Rossini’s music. Barber was the first album I ever bought, and fittingly, the first opera I ever sang. Rossini was an astonishingly prolific composer, writing more than thirty-five operas, as well as numerous secular and sacred choral works, songs, and chamber music.
Linda Watson and John Treleaven have issued a joint not-apology, blaming “selective and biased representation of these interviews” for giving the impression that anything was less than stellar at the “fantastic history-making project” that is the LA Ring cycle. [Class Act via OperaChic]
With only 117 days remaining before the start of the Met’s 2010-2011 season, Olga Borodina has withdrawn from the revival of Les Contes d’Hoffmann. Stepping into the gondola will be Enkelejda Shkosa. Yes, that’s right, the lineup of Hoffmann ladies will be Elena Mosuc, Hibla Gerzmava, and Enkelejda Shkosa — at a $420 top.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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