Headshot of La Cieca

Cher Public

  • papopera: thank you. looking forward to six o'clock
  • Will: I think the reasoning here is that these productions of what...
  • Nerva Nelli: Apparently Billingsgate has Ingrid Steger and Carol Yahr sta...
  • grimoaldo: Good lord. I find that somewhat sad. Why are they having ope...
  • oedipe: Well, I have -at last- seen the infamous Paris Opera Mano...
  • Donna Anna: Anna Russell, thou shouldst be living at this hour but since...
  • Batty Masetto: Oh. I thought Croche was calling dibs on Agathon in a comple...
  • Will: Casting note: Glimmerglass has announced that opposite Dwayn...
  • Straussmonster: I want to be Alcibiades, especially if I can come in late, a...
  • Superconductor: Considering that the Metropolitan Opera press office is noto...

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Regie, how I loves ya

regie_11_15_03Smartly done, Kashania, who guessed almost immediately that last week’s Regie quiz represented From the House of the Dead — in a production by Calixto Bieito, by the way.  But even oil drums, truck tires and life-sized airplanes suspended over the stage might look a little prim in contrast to this week’s puzzler:  Read more »

Don Giovanni drinks your milkshake

Squirrel was expecting boobs! People, there were no boobs, and for that, I was a little disappointed. Read more »

Cherry picking

lamico_fritz“Voglio essere giudicato per la musica e nient’altro che per la musica.”

“I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891).

Cavalleria rusticana, Mascagni’s first performed opera, had premiered the previous year to astonishing success, and had instantly catapulted him to the top sphere of the musical world. Virtually overnight he had become a true international celebrity. Women swooned over his youth and good looks. Hordes of young men rushed to the barber to have the so-called “capelli alla Mascagni”, a sort of pompadour. Read more »

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Just see how I show you my feelings

Had I been living at the time Walter Felsenstein’s film of Verdi’s Otello was released in 1969, such then-innovative  elements as the use of color on television and a vernacular translation might have given me new insights into this great opera. Maybe.

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Blue movie

For those of us newly accustomed to watching The Met: Live in HD cinecasts and similar events in our neighborhood theaters, it is easy to forget that opera as cinema was once a very different experience. Ritter Blaubart, one in a series of seven films by Walter Felsenstein recently released on DVD, shows us the way it used to be — low-budget sets, highly managed direction, and the challenge of pairing up recording-studio singing with on-screen acting.

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The view from Kareol

Poet of the podium Carlos Kleiber leads the final minutes of Tristan und Isolde from the mystic abyss of Bayreuth, circa 1975.

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Trilogy of chatter

La Cieca invites all the cher public to a troika of talk during tonight’s Met season premiere of Il trittico. The performance begins at 8:00 pm.

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Elisabeth Söderström 1927 – 2009

The great Swedish soprano died earlier today. She was 82. [AP]

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