Headshot of La Cieca

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make like a banana

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57 comments

  • JATM2063 says:

    That C was F**K**G UGLY.

    I wonder when RF is going to try Manon Lescaut. The Puccini, not the Massenet.

  • mercury says:

    if you like fleming, hope she never does. contrary to uninformed people, who spout it is a lyric role, IT IS NOT!

  • Trey Zbirry says:

    Dare I venture that, whoever sings it, Manon Lescaut is not really Puccini at his best. It’s sort of a noisy piece and it does go on a bit …

  • Sanford says:

    I stated on an earlier post that I didn’t like Richard Strauss and then challenged myself to listen to Rosencavalier, only to discover that I liked it. However, I’ve heard Puccini and I didn’t like it in its original form or watered down by Andrew LLoyd Webber. I know that most people like Boheme, but I sang parts of the Leoncavallo Boheme in college and prefer it, musically and dramatically. And I like Massenet’s Manon better than Puccini. I think I would have liked Fleming in the Massenet, at least on disc, about 10 or 15 years ago.

    Racette is hosting the Met Finals on Sunday. I’m going and bought an extra tkt in case someone from here wants to do lunch and then opera. It’s balcony (I’m unemployed so I couldn’t justify orchestra), but I’ve never been to the Met, so I’m excited.

  • BeauBoi says:

    Oy Sanford….would that I were in NYC instead of wayyyy down here in Louisiana (and not even the good part).

  • Sanford says:

    Oy Beauboi, I haven’t seen you since, I don’t know, yesterday on Youtube. How ya doin’? For you, my darling, I have this:

    Way down yonder in New Orleans
    In the land of the dreamy scenes
    There’s a garden of Eden…you know what I mean

    Creole babies with flashin’ eyes
    Softly whisper their tender sighs
    Then stop….won’t you give your lady fair…a little smile
    Stop..ya bet your life you’ll linger there…a little while

    We’ve got heaven right here on earth
    With those beautiful QUEENS
    Way down yonder in New…Orleans

    I’ll be thinkin’ of you on Sunday.

  • London Dude says:

    Mercury, you’re right, it is no pure lyric role, but many lyric sopranos have done it justice. I’m a huge fan of Kiri’s for instance, although it is right at the extremity of what the voice could do, I think. She screams like a bitch in her last scene on the ROH DVD with Domingo, but I love her for it.

    I find with Fleming that when she has something she can go for full tilt, she behaves far better, and her voice in full flight is glorious. It’s when you give her something lighter that she starts mucking around. I like her best in heavy lyric repertoire (Desdemona, Tatyana etc), rather than light lyric. I agree, the Puccini Manon would probalby be too much of a stretch, and yet I’d certainly snap up a ticket if I got the opportunity.