Where imitation ends Where imitation ends
Daring reimaginings of Cocteau and Wilde take the stage at the Los Angeles Philharmonic.
The long listen The long listen

A conversation with maestro Gil Rose of Odyssey Opera.

There ought to be clowns There ought to be clowns

Have you ever had the unfortunate experience of listening to someone tell a joke badly?

A monster, without being a myth A monster, without being a myth

Before this recording arrived in my mailbox, I: ( a) didn’t know there was an operatic version of Wilde’s The Importance of Being Earnest, one of my favorite plays; and (b) was unfamiliar with the works of composer Gerald Berry.  After several hearings, I’m still not convinced that there is an operatic version of Earnest.…

Born to be Wilde Born to be Wilde

Cocooned in an amiable production of Theo Morrison‘s revised Oscar, David Daniels flew to new heights in the congenial title role.

One charming afternoon One charming afternoon

In recent years the enterprising Dell’Arte Opera Ensemble has brightened the usually arid weeks of August in New York City with some worthy operatic showcases for young singers.