Not in Kansas anymore
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
139 pieces since 1999 — at 3 companies, most often at Metropolitan Opera.
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
Elza van den Heever and Peter Mattei (and the stage elevator) elevate an assertive, if not definitive, new Salome at the Met
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
I was there in the house and it was a good night. I still think that Mattila and the production were fresher in 2004 with a wider range of colors and dynamics. However, she didn’t sound frayed or at the end of her rope. Some of the louder high notes can get a blanched quality […]
A parterre box exclusive: a live recording of Lise Davidsen‘s first Judean princess
A revival of Peter Konwitschny’s rightly legendary Don Carlos and Dmitri Tcherniakov’s confounding new Salome: both turned out to be unforgettable!
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