Everything sacred
Wrapping up Diva November, Chris’s Cache offers two sacred works that couldn’t be more unalike.
Medea in Corinto
8 pieces since 2011.
8
pieces
16
years
Rossini al fresco
Last night, for the first time in nearly a year and a half, opera returned to Lincoln Center.
Social Medea
Simone Mayr’s Medea in Corinto, a curious work of 1813, has been revived by Will Crutchfield’s new enterprise, Teatro Nuovo.
Season of the Witch
Trove Thursday offers a pair of live broadcasts of Médée featuring two compelling mid-20th century divas—Inge Borkh in German and Eileen Farrell in Italian.
Imogenary beings
Will Crutchfield’s Bel Canto at Caramoor program of concert operas concluded with a bang on Saturday with Bellini’s first success, Il Pirata.
The zoo story
A week from Saturday Will Crutchfield’s “Bel Canto at Caramoor” ends a 20-year run with Il Pirata.
Mayr, fair lady
Giovanni Simone Mayr was one of the most important musical figures of his day, a man Rossini referred to as the “father of Italian opera” whom Napoleon personally lobbied to come work in Paris. Though he wrote nearly 70 operas and taught Donizetti and Bellini, the Bavarian-born composer had the misfortune of hitting his peak […]
Witch of the season
Noticing how often she turns up lately, one might guess that the operatic “heroine” for the global economic crunch is Medea, the mythological Greek sorceress and filicide.