Just in time for this month’s theme of filth or dementia, a review of Terrence McNally‘s Master Class from Central City Opera.
Following a review by Christopher Corwin, figures from in and around the box react to Pablo Larraín‘s new film Maria
To opera denizens, Terrence McNally is probably best known for Master Class, a fictionalized account of Maria Callas’s 1970s Juilliard master classes, which was a surprise hit on Broadway in the 1990s.
Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a…
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