Minnie happy returns
Puccini’s Girl closes out the 20th century and gallops into the 21st.
Les Huguenots
45 pieces since 2009.
45
pieces
18
years
The girl next door
>Verdi’s marvelous yet neglected Luisa Miller finally returns to the Met later this month after an absence of a dozen years so “Trove Thursday” provides a preview.
The first time ever I heard her voice
The Summer of 1983 is when “it” happened.
Black Friday
Usually the longer I know a work the more I look forward to rediscovering it, but that’s just not the case with the Verdi Requiem.
Steal me, sweet thieves
Ali Baba ou Les Quarantes Voleurs continues straight-tone September with Teresa Stich-Randall as its heroine while Alfredo Kraus scales the heights with another Nadir.
Catch a falling tsar
You’d think by now I’d know better than to make snap judgments about an opera or a singer—but apparently not.
Das Süsses Mädel and the Boy from Berlin
Diana Damrau has chosen for her new Erato recital disc Grand Opera 11 high-flying showpieces from ten operas by Giacomo Meyerbeer.
A “Juive’ for the 21st century
A brilliant production of La Juive like that of Peter Konwitschny generalizes the message that mindless hate does not pay and the mindless mob is always the enemy of civilization.
All about my mother
On her 90th birthday “Trove Thursday” presents the late great Belgian mezzo Rita Gorr parenting Régine Crespin in Massenet’s Hérodiade.
Let me like a soldier fall
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
“If there is no struggle, there is no progress”
In New York, tradition insists, there are no limits to where a preposterous idea, talent and relentless determination will take you, in defiance of all the odds.
Daggers are a thane’s best friend
A Birnam Wood of Macbeths and Ladys has come traipsing through New York this year.
Tomb raider
Despite the continued popularity of Der Freischütz in German-speaking countries, are the magical mature operas of Carl Maria von Weber otherwise really so problematic, their libretti so unwieldy to explain their continued absence from the world’s stages?
It’s not easy being Greek
Sergey Taneyev, pupil of Tchaikovsky and teacher of Scriabin and Rachmaninov, composed just one opera, Oresteia, premiered in 1895 when he was 39.
No place like Rome
Love grand opera but wary of a six o’clock curtain with five hours of music behind it? (And nothing is grander than Berlioz’s Les Troyens, eh?) Your dilemma has been solved. Show up at the Met at 7:30 or 8:00, whenever they have the first intermission.
Conquering Ciro
By the time Rossini was 20, he had produced six operas, most of them brief, comic and slight. He admitted to admiring Mozart (not then well known south of the Alps), but the melodies of his early works show more of the influence of Paisiello.
Not enough, too soon
While major stars like René Pape and Piotr Beczala had to wait until they were over 40 to record a solo aria CD, Julia Lezhneva has just done her first—and she’s only twenty-one! After a drought, CD companies are issuing a surprising number of debut recitals; Nino Machaidze, Olga Peretyatko, Mojca Erdmann, and Aleksandra Kurzak […]
Do Tell
Trying to suggest erstwhile world-renown of Guillaume Tell to a 23-year-old who had never heard of it, a friend of mine mentioned The Lone Ranger. “What’s The Lone Ranger?” replied the youth. And the sun rises and the sun sets and all things must pass. But surely he knew Bambi Meets Godzilla, which also uses […]
Two by two
As part of the massive CD/DVD release celebrating the 40th Anniversary of James Levine at the Met, “In Concert at the Met, 1982-83” offers generous excerpts from three memorable Gala Concerts: from February 1982, Troyanos-Domingo-Levine; from March 1982, Price-Horne-Levine; and from January 1983, Domingo-Milnes-Levine. I had the pleasure of being in the house for each […]
From a distance
Asking New Yorkers to travel two hours to the remote but beautiful campus of Bard College in New York’s Hudson River Valley to see an opera can be like asking them to cross the Sahara. Yet if there is any opera I would put my life at risk to see again, it just might be […]
babylon when it drizzles
What impressed La Cieca at the Caramoor concert of Semiramide on Friday was not so much the quality of the performance (though that was on a solidly high level) but the magnificence of the work itself. This magnificence stands out now in even greater relief after the comparison with Les Huguenots later in the weekend.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
