Heartbeat Opera knows how to party.
Recent discussion about the merits of Le Prophète has prompted Chris’s Cache to unearth a pirate recording of Meyerbeer’s opera with Marilyn Horne, Rita Shane and Guy Chauvet led by Charles Mackerras, along with an earlier collaboration of the mezzo and conductor: Gluck’s Orfeo ed Euridice in which Horne goes to hell to get back Adriana Maliponte with the help of Judith Blegen.
Why is so twinkling, tuneful a score so little known?
Nathan Hull was an operatic Quixote who did not go it alone, but inspired bands of optimists, giving proper employment to the many worthy New Yorkers mad enough to study voice and pleasure rare elsewhere to those of us thrilled to take it in.
A return to Amore Opera’s production of Meyerbeer’s Dinorah to hear the second cast underlined two conclusions.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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