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Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
100 pieces since 2009 — at 9 companies, most often at Metropolitan Opera.
Bayreuth’s AI-powered “Ring 100010110” marred a first-rate cast and orchestra with nightmarish visuals and horrid dramaturgy.
The ArtHaus Musik DVD of the Deutsches Nationaltheater/Staatskapelle Weimar production of Wagner’s Das Rheingold, stage directed by Michael Shulz, begins with a long still shot: That’s right, this interpretation of Wagner’s epic 19-hour cycle kicks off with a long static shot of… some dirty red boots. It’s gonna be a long Gesamtkunstwerk.
As I mentioned in my last article (on the subject of Calixto Bieito’s production of Das Rheingold at the Paris Opera), in what the French might call une histoire belge, La Monnaie’s Ring cycle started with Romeo Castellucci as its director, and is now ending with Pierre Audi.
Director David Pountney and his splendid designers have brought Lyric Opera of Chicago a visually spectacular Siegfried full of daring ideas.
The second installment of Lyric’s Ring Cycle proved an evening of glorious singing, moving drama, great conducting and orchestral playing.
Wagner is becoming an important calling card for Valery Gergiev and the Mariinsky Theatre.
Die Walküre crystallizes the cycle’s questions, ideas, and stakes.
On this day in 1975 the Metropolitan Opera completed its first integral Ring cycle since 1962.
A member of the cher public who braved this afternoon’s performance of Das Rheingold at the Met reports that the Machine jammed halfway through the transition between scenes two and three.
This just in from the Met press office: “On the advice of his doctors, James Levine will reduce his conducting dates at the Met for the rest of the current season while he continues to recover from recent procedures to alleviate back pain. His planned performances of Das Rheingold on March 30 and April 2 will […]
Great expectations awaited the Met Opera’s new production of Das Rheingold, staged by the ambitious Canadian director Robert Lepage, and rightly so. With a 45-ton set carrying a $16 million price tag, a world-renowned cast, and maestro James Levine celebrating his 40th anniversary on the podium, who wouldn’t be on the edge of his seat as […]
Crossing the Plaza and seeing two thousand chairs gleaming in the gloaming with rain slick and thoughts of the evening that might have been for many. Past the ticket takers and the buzz of voices, the gawkers lined up on the stairs to see the celebs, I wend my way through and up and up. […]
Tamara Wilson and Stanislas de Barbeyrac are the standouts in Calixto Bieito’s underwhelming Die Walküre in Paris
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
Washington National Opera followed up Monday’s lavishly praised Die Walküre with a Siegfried that, if not quite rising to the summit of the previous installment, delivered a musically committed and eminently watchable version of this complicated work.
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