“An opportunity to deliver”
Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
213 pieces since 2007 — at 6 companies, most often at Metropolitan Opera.
10 pieces as Metropolitan Opera — stats above show all coverage for Carmen.
View allDaniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
The Metropolitan Opera chose the early August operatic doldrums in NYC to announce the renewal of Yannick Nézet-Séguin’s contract as music director through the 2029-30 season.
When it premiered at the Opéra Comique in 1875, Carmen shocked audiences with its frank depictions of female sexuality, the proletariat, and violence: subjects that have ensured the piece’s continued relevance and that have inspired numerous retellings and revisions.
Too bad, then, that this season’s tossed flower was a bit of a wilted one.
On this day in 1968 mezzo-soprano Shirley Verrett made her Metropolitan Opera debut as Carmen.
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
As the Deutsche Grammophon producer for the 1972 Metropolitan Opera Carmen recording, I was delighted to read Patrick Mack’s review of its recent re-release on a surround-sound/stereo CD set.
On this, the occasion of her 37th birthday [see below], La Cieca is happy to repeat the story of how she came to be born (as first told in the pages of parterre box, issue #28.
Is anyone else as amazed as I am by the following remark in the New Yorker‘s capsule item on Armida: “…an exquisite ballet fetchingly choreographed by Graciela Daniele“?
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