Cher Public

The piccolo on the hearth

Soprano and baritone as lovers are the operatic equivalent of a mixed marriage, and if you give them Dickensian names like Dot and John Peerybingle – well, just try to sing that in Italian, or apostrophize “Dot” with romantic yearning. The concluding consonant defies you. (A less courageous librettist would have transformed her into Dora or Dorothea, but not here.)   Read more »

Eternal, feminine

For her first CD release in six years, Angela Gheorghiu has chosen Italian repertoire in a recital (Eternamente: The Verismo Album) that showcases her considerable vocal and musical strengths while leaving a few “what was she thinking” moments.  Read more »

Straniero, ascolta!

Turandot-NetrebkoDue to a complaint by Universal Music Group/DG, La Cieca has had to remove the music track of “In questa reggia” from our site. A substitute track is available on Spotify.

E “La Nave” va

La Cieca has just heard that Teatro Grattacielo’s performance of Montemezzi’s La Nave has been rescheduled and confirmed for Wednesday October 31 at 8:00 PM at the Rose Theater.

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To tell the truth

Four of La Cieca’s favorite people, Diana Soviero, Ira Siff, Robert Lombardo and Ken Benson, assemble on November 9 at the impressively named “Metropolitan Opera Guild Learning Center”…

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The art of making art

In this new Decca DVD of Tosca we find a highly intellectual, even fascinating staging at odds with the visceral nature of the original melodrama but one that inspires its cast to great heights.  Robert Carsen is a clever producer with an elegant visual palette.  He employs the same directorial strategy as his famous Mefistofele staging, a Pirandello-like theatrical alienation that distances his audience from easy engagement with the material, all the while utilizing familiar production elements to challenge and stimulate our perception.

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