So this is what it looks like when Faye Dunaway teaches Danielle DeNiese to sing “Vieni t’affretta” from Verdi’s Macbeth.
UPDATE: Blogger Out West Arts reflects on the “Occupy Wall Street” incident at the Met’s Faust last night, noting that the shouts (and various responses from members of the audience) did not interrupt the music.
A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?)
UPDATE: Complete press release after the jump! You know La Cieca will be following NYCO’s press conference starting today at 1:00 pm. The Twittering community will carry live updates from the event, and you, the cher public, can follow the tweets after the jump.
Don’t worry, La Cieca isn’t going to let politics rear its ugly head (or, since we’re talking about La Cieca here, let’s say “its pretty head”); rather, the “social” we’re talking about here is as in “social media.” Just a housekeeping tip or two for you after the jump.
La Cieca would like to call the cher public’s attention to the new “share” buttons at the foot of each posting here on parterre.com. Clicking on the “Like” button will alert your Facebook friends of your affection for the given posting; the “Tweet” button will send the current posting to your Twitter feed.
“Now, let me think… where did I leave that vocal score?”
Armida in just three hours, and, ironically (given the dramatic weight of this bel canto role) a certain soprano just can’t stop twittering!
(No, not that again.) The San Diego Opera, boldly exploring cutting-edge trends in dramaturgy, is producing a Twitter version of the complete history of opera.
Erstwhile opera blogger Nick Scholl (aka Trrill) is currently live-tweeting the Poisson Rouge “Sacrificium” launch party!
La Cieca usually goes pea-green with envy when some other opera blogress launches a successful promotion, but in this case she’s going to make an exception because this story has the happiest ending imaginable. As detailed by Anne Midgette today in the Washington Post, Priscilla Barrow, who has taught music in public schools for over…
Congratulations to Stephen Llewellyn, grand prize winner of The Omniscient Mussel‘s #operaplot competition, as adjudicated by Danielle De Niese. Stephen’s plot synopsis read: There was a young lady called Fricka Who…who…*snore* “Wake up – it’s over.” It’s good, I just wish it were quicka. La Cieca is particularly impressed with Stephen’s brevity: in fact, at…